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  1. Online Construction of Multimodal Metaphors In Murnau’s Movie Faust.José Manuel Ureña Gómez-Moreno - 2017 - Metaphor and Symbol 32 (3):192-210.
    This study explores multimodal metaphors and metonymies in Faust, a German Expressionist silent fiction movie by Murnau. The article combines principles of psychocinematics, an interdisciplinary scientific field of enquiry, with the multimodal metaphor and expressive movement model, which looks into the temporal dynamics of metaphoric meaning-making by movie watchers. It is shown that interrelating both film-analytic approaches provides a deeper and more comprehensive insight into how figurative thought influences psycho-cognitive processes in the moviegoer’s mind as they dynamically unfold in their (...)
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  • Aesthetic Emotions and Aesthetic People: Openness Predicts Sensitivity to Novelty in the Experiences of Interest and Pleasure.Kirill Fayn, Carolyn MacCann, Niko Tiliopoulos & Paul J. Silvia - 2015 - Frontiers in Psychology 6.
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  • (1 other version)The noetic feeling of confusion.Juliette Vazard & Catherine Audrin - 2022 - Philosophical Psychology 35 (5):757-770.
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  • The appraisal basis of anger occurrence and intensity revisited.Iven Van Mechelen & Kristien Hennes - 2009 - Cognition and Emotion 23 (7):1373-1388.
    In a diary study we examined the relation between anger appraisals on the one hand, and the occurrence and intensity of anger experiences in frustrating situations on the other hand. The appraisals of frustration, other presence, other-accountability, and hostile intention are shown to be jointly sufficient for the occurrence of anger experience. Absence of one or more of these appraisals further results in a smaller proportion of anger occurrences, in lower anger intensities, and in both within- and between-person differences in (...)
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  • A Theoretical Framework for How We Learn Aesthetic Values.Hassan Aleem, Ivan Correa-Herran & Norberto M. Grzywacz - 2020 - Frontiers in Human Neuroscience 14:565629.
    How do we come to like the things that we do? Each one of us starts from a relatively similar state at birth, yet we end up with vastly different sets of aesthetic preferences. These preferences go on to define us both as individuals and as members of our cultures. Therefore, it is important to understand how aesthetic preferences form over our lifetimes. This poses a challenging problem: to understand this process, one must account for the many factors at play (...)
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  • Emotions, individual differences and time course: Reflections.Nico H. Frijda - 2009 - Cognition and Emotion 23 (7):1444-1461.
    The present issue of Cognition and Emotion represents a laudable project: publication of some current research and theoretical orientations on two important topics that have not received the attent...
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  • Putting appraisal in context: Toward a relational model of appraisal and emotion.Craig A. Smith & Leslie D. Kirby - 2009 - Cognition and Emotion 23 (7):1352-1372.
    According to appraisal theory, emotions result from an individual's meaning analysis of the implications of his/her circumstances for personal well-being, and individual differences in emotion arise when individuals appraise similar situations differently. Relational models of appraisal attempt to describe the situational and dispositional antecedents of appraisals, and should allow one to predict such individual differences. In this article, we review three examples of our efforts toward developing relational appraisal models. In two, we start with a particular appraisal component, motivational relevance (...)
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  • How clinicians make (or avoid) moral judgments of patients: implications of the evidence for relationships and research. [REVIEW]Terry E. Hill - 2010 - Philosophy, Ethics, and Humanities in Medicine 5:11.
    Physicians, nurses, and other clinicians readily acknowledge being troubled by encounters with patients who trigger moral judgments. For decades social scientists have noted that moral judgment of patients is pervasive, occurring not only in egregious and criminal cases but also in everyday situations in which appraisals of patients' social worth and culpability are routine. There is scant literature, however, on the actual prevalence and dynamics of moral judgment in healthcare. The indirect evidence available suggests that moral appraisals function via a (...)
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  • Stochasticity, Nonlinear Value Functions, and Update Rules in Learning Aesthetic Biases.Norberto M. Grzywacz - 2021 - Frontiers in Human Neuroscience 15:639081.
    A theoretical framework for the reinforcement learning of aesthetic biases was recently proposed based on brain circuitries revealed by neuroimaging. A model grounded on that framework accounted for interesting features of human aesthetic biases. These features included individuality, cultural predispositions, stochastic dynamics of learning and aesthetic biases, and the peak-shift effect. However, despite the success in explaining these features, a potential weakness was the linearity of the value function used to predict reward. This linearity meant that the learning process employed (...)
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  • Alternatives to the fixed-set model: A review of appraisal models of emotion. [REVIEW]Julian W. Fernando, Yoshihisa Kashima & Simon M. Laham - 2017 - Cognition and Emotion 31 (1):19-32.
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  • Does interest broaden or narrow attentional scope?Billy Sung & Jennifer Yih - 2016 - Cognition and Emotion 30 (8).
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  • Comment: Appraisal Affords Flexibility to Emotion in More Ways Than One.Peter Kuppens - 2013 - Emotion Review 5 (2):176-179.
    The appraisal theory formulations posited in this special section consider the appraisal process to afford flexibility to emotional responding by the malleability of how people appraise events. I argue that not only the way in which events are appraised but also the way in which appraisals drive changes in other emotion components is characterized by flexibility across persons and context. Accounting for such flexibility is crucial for the further development of appraisal theories and their application to other domains.
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  • Beauty and Beholders.Owen Ewald & Ursula Krentz - 2012 - Essays in Philosophy 13 (2):436-452.
    This essay discusses four definitions of beauty from Western philosophy in light of recent experimental work from the more modern fields of psychology and biology. The first idea, derived from Plato, that beauty consists of relationships between parts, is partially confirmed by recent psychological experiments on infants and adults. The second idea, that beauty consists of one salient feature amid a mass of details, is more recent, perhaps from Hume, and is confirmed by some experiments on adults, but this finding (...)
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