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  1. The Anthropocene monument: On relating geological and human time.Bronislaw Szerszynski - 2017 - European Journal of Social Theory 20 (1):111-131.
    In the Parthenon frieze, the time of mortals and the time of gods seem to merge. Dipesh Chakrabarty has argued that with the advent of the Anthropocene the times of human history and of the Earth are similarly coming together. Are humans entering the ‘monumental time’ of the Earth, to stand alongside the Olympian gods of the other geological forces? This article first looks at the cultural shifts leading to the modern idea of separate human and Earth histories. It examines (...)
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  • Touching with Light, or, How Texture Recasts the Sensing of Underground Water.Andrea Ballestero - 2019 - Science, Technology, and Human Values 44 (5):762-785.
    This paper is an ethnographic examination of the early social life of a project to map Costa Rica’s aquifers using LandSat imagery and a specialized algorithm. The project aims to make subterranean formations accessible for public agencies mediating recent environmental conflicts over underground water, which have been diagnosed as the country’s first “water war.” I analyze the presentation to the public of this project and the technology it uses to show how vision and touch are conceptual resources that people use (...)
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  • Vertical glaciology: The second discovery of the third dimension in climate research.Dania Achermann - 2020 - Centaurus 62 (4):720-743.
    The history of climate research in the 20th century has been characterised by a crucial shift from a geography-oriented, two-dimensional approach towards a physics-based, three-dimensional concept of climate. In the 1930s, the introduction of new technology, such as radiosondes, enabled climatologists to investigate the high atmosphere, which had previously been out of reach. This “conquest of the third dimension” challenged the surface-oriented, geographical notion of climate patterns and opened up climatology to a three-dimensional approach, which deeply changed the character of (...)
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