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  1. Politics of fear, fury and emotional censorship in theatrical performance: Belarus Free Theatre.Peta Tait - 2022 - Thesis Eleven 169 (1):82-97.
    This article argues that political performance reveals the significance of the emotions, emotional feelings, affect and mood in relation to the censorship of democratic expression. Belarus Free Theatre performers spoke about fear as they gave personal accounts of imprisonment and undertook extreme physical action on aerial ropes, creating performances that evoked both emotionally felt responses and bodily affect. The aesthetic mood effect in these performances shifted from amusing audiences with the absurdity of political censorship to alarming them with the terror (...)
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