This article entitled “History's `So it seems'” explores the potential of phenomenology for the framing of histories which privilege partcipant perspectives. The theory agenda of the article adapts insights drawn from Heidegger's ontological hermeneutic of Da-sein - the human condition of being-there and being-aware (or not aware). The theory agenda also adapts Heidegger's readings of Heraclitus. The practical agenda of the article illustrates this potential of Heidegger's phenomenology for history by contrasting `so it once seemed' senses of the Emperor Julian (...) the Apostate's Roman pagan self-hood. The contrasts are autobiographical (Julian's Misopogon ), contemporary biographical (Ammianus Marcellinus's history), and long-lag biographical (Gore Vidal's novel avowedly constrained by the sources). (shrink)

In the chapter entitled ‘Philosophy and the Meaning of Life’ in Robert Nozick’s Philosophical Explanations there is an admonitory passage with many applications. ‘It is a puzzle,’ says Nozick, ‘how so many people, including intellectuals and academics devote enormous energy to work in which nothing of themselves or their important goals shines forth, not even in the way their work is presented. If they were struck down, their children upon growing up and examining their work would never know why they (...) had done it, would never know who it was that did it. They work that way and sometimes live that way, too’. (shrink)

Eleştiri, olumlayıcı olduğu ölçüde radikalleşir. Bu açıdan, eleştiriyi içkin bir eleştiri projesi olarak değerlendiren Gilles Deleuze felsefesi, dile getirilen ile onu dile getirebilen güç arasındaki ilişkiyi, fikirlerle problemler arasındaki teması sahneler. Bu sahneleme pratiği diyalektik düşünceyle ve özellikle Hegel’le karşılaştığında karşımıza üç eksen çıkar. Birincisi, özdeşliği farkı kavramanın koşulu haline getirmenin düşünceyi dışsal farklara mahkûm kıldığını bulgular ve kendinde fark kavramını gündeme getirir. İkinci eksende, tanıma ilişkisinin tek ve zorunlu öznellik projesi olmadığı, Hegelci köle ve efendinin belirlenimlerini değiş-tokuş ederek farklılaşamadıkları (...) açığa çıkar. Olumlayıcı bir öznellik düşüncesinin kayıtsız kalınamayan varlığı, olumsuzlamanın ve dolayımın çıkmazlarındaki benliği başka bir yerden düşünmeye çağırır. Üçüncü eleştiri ise temsil sorunu üzerinden gelişerek Nietzsche’nin eylem ve fail arasında süregelen ayrıma yönelik itirazlarından yola çıkar. Deleuze’ün diyalektik düşünceye yönelik eleştirisi olumsuzlamanın ve temsilin yeni bir okumasına esin verirken diğer taraftan temsil edilemeyen asimetrik varoluş kiplerinin de varlığını onaylar. Bu metin bu üç eleştiri eksenini belirginleştirerek tanınmayan, örtüşmeyen, asimetrik bir ilişkinin izini sürüyor. (shrink)

The thesis adapts Bourdieu’s theory of hexis as a method for approaching the Baillie (Hegel/Baillie, 1910/1931) and Pinkard (Hegel/Pinkard, 2008) translations of Hegel’s Die Phänomenologie des Geistes (Hegel, 1807/1970) as embodiments of a translatorial practice informed by social and philosophical contextual factors. The theoretical concept of a translatorial hexis is analogous to Bourdieu’s habitus but differs in that the translatorial hexis embodies a specifically dominant, honour-seeking stance of the translator with regard to the micro-dynamics of the surrounding sub-fields; the translatorial (...) hexis is also embodied primarily in the detail of the text and in the peritexts to the translations. Chapters 3 and 4, which focus on the Baillie and Pinkard translations, are each divided into three sections: an analysis of the historical background to the translation in terms of interrelated Bourdieusian fields defined by rival positions vying for academic reputation; an analysis of lexical patterning identified in TT corpora with reference to the translations of two ‘dialectically ambiguous’ terms Geist [mind/spirit] and aufheben [cancel/preserve/sublate]; an analysis of peritexts to the two translations. Starting with a discussion of Hegel’s ‘dialectical ambiguity’ in chapter 1 and an elaboration of the Bourdieusian theoretical framework in chapter 2, the thesis attempts to explain the lexical findings with reference to the concept of translatorial hexis in a manner which takes philosophical and sociological factors into consideration as determinants of the translators’ strategies. The analysis focuses on the positioning of Sir James Black Baillie with regard to Absolutist and Personalist versions of British Idealism and Terry Pinkard with regard to the non-metaphysical readings of Hegel and the development of communitarian ideologies.The publication of new translations of Hegel’s works and new critical works on German Idealism suggest that a Hegel revival is in full progress. Given the centrality of translation to this phenomenon, it is appropriate that translation studies should contribute to the discussion, especially to demonstrate the value of a self-reflexive, multi-disciplinary approach which brings linguistic analysis and sociological contextualisation to bear on some of the philosophical issues at stake. (shrink)

The main purpose of the following inquiry is to emphasise the importance of a phenomenon long neglected by the majority of the human sciences, the artefact; each one of us, no matter what age, sex or culture, is in contact with artefacts every moment of our lives yet despite this they have received scant attention. The study begins by outlining a definition of the artefact, highlighting those characteristics which, in combination, ensure its centrality to social life before, through a discussion (...) of Popper's ideas, proceeding to see how material culture can be conceptualised as meaningful. In order to understand how meaning becomes attached to the artefact the notion of objectification will be analysed and, consequently, so shall the importance of both the type of activity and the physical nature of the materials involved in the artefact's production. Picking up on the theme of materiality this aspect of material culture will be shown to pose major problems to any interpretation of the artefact along semiological lines; language and material culture are evinced to possess fundamentally distinct characteristics which make comparisons between them far from straightforward. These differences will be analysed further, concentrating specifically on the role of context in the establishment of meaning. This leads on to the proposal that our understanding of artefacts can occur on three levels; three forms of knowledge are thus described of which a linguistically formulated type constitutes just one kind. The penultimate chapter tackles the ways in which artefacts affect us, how they are active elements in our relationships with them; therefore, a dialectical position is postulated in which both artefacts and agents take part. Finally, the study concludes by stressing some of its wider implications and suggests a few of the practical situations to which it can be applied. (shrink)