Indonesian traditional villagers have a tradition for the sake of their own social and economic security named “nyumbang”. There are wide variations of the traditions across the archipelago, and we revisit an observation to one in Subang, West Java, Indonesia. The paper discusses and employs the evolutionary game theoretic insights to see the process of “gantangan”, of the intertwining social cohesion and economic expectation of the participation within the traditional activities. The current development of the “gantangan” tradition is approached and (...) generalized to propose a view between the economic and social sphere surrounding modern people. The interaction between social and economic sphere might be seen as a kind of Lokta-Volterra’s predator-prey-like interaction, where both are conflicting yet in a great necessity one another for the sustainability of the social life. While some explanations due to the current development of “gantangan” is drawn, some aspects related to traditional views complying the modern life with social and economic expectations is outlined. (shrink)

The paper reports the possibility of Indonesian traditional artisans of weaving designs and crafts to explore the cellular automata, a dynamical model in computation that may yield similar patterns. The reviews of the cellular automata due to the perspective of weaving process reveals that the latter would focus on macro-properties, i.e.: the strength of structural construction beside the aesthetic patterns and designs. The meeting of traditional weaving practice and the computational model is delivered and open the door for interesting discourse (...) of computer-aided designs for the traditional artists and designers to come. (shrink)

The paper discusses some aspects of Iterated Function System while referring to some interesting point of view into Indonesian traditional batik. The deconstruction is delivered in our recognition of the Collage Theorem to find the affine transform of the iterated function system that attracts the iteration of drawing the dots into the complex motif of - or at least, having high similarity to - batik patterns. We employ and revisit the well-known Chaos Game to reconstruct after having some basic motifs (...) is deconstructed. The reconstruction of the complex pattern opens a quest of creativity broadening the computationally generated batik exploiting its self-similarity properties. A challenge to meet the modern computational generative art with the traditional batik designs is expected to yield synergistically interesting results aesthetically. The paper concludes with two arrows of our further endeavors in this field, be it enriching our understanding of how human cognition has created such beautiful patterns and designs traditionally since ancient civilizations in our anthropological perspective while in the other hand providing us tool to the empowerment of batik as generative aesthetics by employment of computation. (shrink)