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  1. Knowing Through Hearing, Towards an Epistemology of Auditory Perception.Jorge Luis Méndez-Martínez - 2022 - Epistemology and Philosophy of Science 59 (2):168-182.
    This paper proposes some guidelines for the undeveloped discussion of auditory epistemology. Auditory epistemology is an approach concerned with the perceptual basis for knowledge and belief, specifically around audition. The article pursues two goals. Firstly, it claims that addressing auditory perception from the viewpoint of epistemology is more fruitful than the discussion on phenomenology which has thus far dominated the debates in the literature on sound. Secondly, it elaborates a concrete proposal pertaining to the cooperation of sense-modalities. In so doing, (...)
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  • Structure of perceptual objects: introduction to the Synthese topical collection.Alfredo Vernazzani, Błażej Skrzypulec & Tobias Schlicht - 2020 - Synthese 199 (1-2):1819-1830.
    Introduction to the topical collection "The Structure of Perceptual Objects"—with contributions by Mohan Matthen, EJ Green, Alisa Mandrigin, Blazej Skrzypulec, and Anna Drożdżowicz.
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  • The nonclassical mereology of olfactory experiences.Błażej Skrzypulec - 2019 - Synthese 198 (1):867-886.
    While there is a growing philosophical interest in analysing olfactory experiences, the mereological structure of odours considered in respect of how they are perceptually experienced has not yet been extensively investigated. The paper argues that odours are perceptually experienced as having a mereological structure, but this structure is significantly different from the spatial mereological structure of visually experienced objects. Most importantly, in the case of the olfactory part-structure, the classical weak supplementation principle is not satisfied. This thesis is justified by (...)
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  • Bringing back the voice: on the auditory objects of speech perception.Anna Drożdżowicz - 2020 - Synthese (x):1-27.
    When you hear a person speaking in a familiar language you perceive the speech sounds uttered and the voice that produces them. How are speech sounds and voice related in a typical auditory experience of hearing speech in a particular voice? And how to conceive of the objects of such experiences? I propose a conception of auditory objects of speech perception as temporally structured mereologically complex individuals. A common experience is that speech sounds and the voice that produces them appear (...)
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