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  1. Perceiving as Having Subjectively Conditioned Appearances.Gary Hatfield - 2016 - Philosophical Topics 44 (2):149-178.
    This paper develops an appearance view of perception (focusing on vision). When we see an object, we see it by having it appear some way to us. We see the object, not the appearance; but we see the object via the appearance. The appearance is subjectively conditioned: aspects of it depend on attributes of the subject. We mentally have the appearance and can reflect on it as an appearance. But in the primary instance, of veridical perception, it is the object (...)
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  • Gibson and Gestalt: (re)presentation, processing, and construction.Gary Hatfield - 2019 - Synthese 198 (Suppl 9):2213-2241.
    Seeking to avoid the typical binary choices between symbolic representations and no representations, or between functionally decomposable psychological processes and no psychological processes, or between direct perception of mind-independent physical properties and indirect perception of sense data, this article proposes that even a clear-thinking friend of Gibson can accept that perception of the environment is mediated by appearances and that such appearances are produced by functionally decomposable, rule-instantiating psychological processes. In so doing, it avoids both hyper-intellectualization of the perceptual process (...)
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  • A construção da experiência perceptiva: o que isso quer dizer?Gary Hatfield - 2017 - Principia: An International Journal of Epistemology 21 (2):167-188.
    Abstract. Classical constructivists such as Rock and Hoffman contend that the processes of perception are intelligent and construct perceptual experience by going beyond the stimulus information or by creating a percept that deviates from the physical properties of the object. On these terms, Gibson’s theory of perception is anti-constructivist. After reviewing classical constructivism, this article maintains, first, that the phenomenology of visual space shows a deviation from physical spatial properties, by being contracted in depth, even under full cue conditions, a (...)
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