The chief works of Tacitus and Apuleius have come down to us in a single Beneventan—i.e. South Italian—MS. of the eleventh century. The Annals and Histories of Tacitus, and the Apologia, Metamorphoses, and Florida of Apuleius, depend solely on the authority of the famous Florentine MS. preserved in the Laurentian Library under the press-mark 68.2. Any new light that can be thrown on such a MS. is of interest to classical scholars. With the portion of the MS. containing the works (...) of Tacitus the writer has dealt at some length in a paper read in April, 1913, in London before the International Congress of Historical Studies, which paper will be published shortly. Here it is proposed to deal with the portion containing the works of Apuleius, and with the oldest extant transcript of this portion, which is also in Beneventan writing, and is likewise preserved in the Laurentian Library under the press-mark 29.2. In the critical apparatus of Apuleius Laur. 68.2 is cited as F, and Laur. 29.2 as ø. (shrink)

Shortly after his accidental transformation into an ass, Lucius attempts to return to his human form by grabbing some roses decorating a statue of the patron goddess of the quadrupeds, Epona. But hisservulusfeels outraged at the sacrilegious act. Jumping to his feet in a temper and acting as a faithful defender of the sacred place, he addresses his former human owner as a new ‘Catiline’ (Apul.Met.3.27):Quod me pessima scilicet sorte conantem servulus meus, cui semper equi cura mandata fuerat, repente conspiciens (...) indignatus exurgit et: ‘quo usque tandem’ inquit ‘cantherium patiemur istum paulo ante cibariis iumentorum, nunc etiam simulacris deorum infestum? Quin iam ego istum sacrilegum debilem claudumque reddam.’My attempt was frustrated by what seemed to be the worst of luck: my own dear servant, who always had the task of looking after my horse, suddenly saw what was going on, and jumped up in a rage. ‘For how long’, he cried, ‘are we to endure this clapped-out beast? A minute ago his target was the animals' rations, and now he is attacking even the statues of deities! See if I don't maim and lame this sacrilegious brute!’A self-evident instance of parody, the servant's words ironically reformulate one of the most familiar texts of Republican oratory, the famous opening of Cicero's first invective against Catiline, delivered before the assembled senate in the Temple of Jupiter Stator on 8 November 63b.c.: the substitution of a low and familiar word such ascantheriumforCatilinamunderpins the comic undertone of the entire passage, imbued with further reminiscences of Cicero. Scholars debate whether the servant's verbal attack against Lucius is a parodic adaptation of Cicero's opening invective or rather a spoof on Catiline's paradoxical reading of Cicero's phrase in Sallust (Sall.Cat. 20.9). It is safer to assume a case of double imitation, not unusual in Apuleius' work. (shrink)

The later MSS. of the Metamorphoses of Apuleius have received little attention. Hildebrand's edition, the last to give an extensive apparatus criticus, appeared in 1842, and seven years later Keil announced his belief that all the MSS. which he had seen in Italy were derived from Laur. 68. 2 , the famous eleventh century MS., written at Monte Cassino, and now at Florence. Since Keil, all texts have been based almost exclusively on F, with assistance from its twelfth or thirteenth (...) century copy Laur. 29. 2 , in the enormous number of places where F is now illegible. (shrink)