Change has traditionally been perceived as something to be avoided in favor of stability. This can be witnessed in both individual and organizational approaches to change. In this paper, change as a process of becoming is analyzed. The author relates change to seduction to introduce new perspectives to the concept. The principal idea is that the process of change is a seductive experience. This assumption highlights the positive aspects of becoming, growing, and changing. In doing so, reference is made to (...) the philosophy of Gilles Deleuze, as well as the humanistic psychology of Carl Rogers, to analyze seduction, as presented in The Seducer’s Diary by the philosopher Søren Kierkegaard. The qualification of this claim is based on this reading. Finally, a conclusion is offered through brief comments on the relationship between seduction, personal growth, and self-actualization. (shrink)

In the wake of a series of corporate scandals, there has been a growing call for authentic leadership in order to ensure ethical conduct in contemporary organizations. Authentic leadership, however, depends upon the ability to draw a distinction between the authentic and inauthentic leader. This paper uses Deleuze’s discussion of Platonism as a point of departure for critically scrutinizing the problem of authenticating the leader—drawing a distinction between authentic and inauthentic leaders. This will be done through a reading of Bill (...) George’s book Authentic Leadership. Informed by Deleuze’s inverted Platonism, the paper challenges the practice by which authentic leaders are distinguished from inauthentic leaders. In conclusion, the paper suggests that an adequate concept of authentic leadership should consider how ethics can occur when the authentic leader is able to critically reflect his or her own value-commitments. (shrink)

This paper takes a critical examination at selected works by 20th century philosophers Gilles Deleuze and Félix Guattari. I argue that, far from arcane, distant, inaccessible concepts, the selected Marxist ideas presented in their immanent critiques provide priceless insight into how fascism, in all forms, permeates every stretch of society. Understanding how these events occur, called micro- and macro-fascism, and how they are mediated through our beliefs and desires, can allow for us to resist transcendent theories of desire and modes (...) and politics, and towards a mode of immanence, one that is always critiquing itself, and always resisting fascism. (shrink)

The recent ‘nonhuman turn’ in the theoretical humanities and social sciences has highlighted the need to develop more ontological modes of theorising the ethical ‘responsibility’ of the human in its relational encounters with nonhuman bodies and materialities. However, there is a lingering sense in this literature that such an ethics remains centred on a transcendent subject that would pre-exist the encounters on which it is called to respond. In this essay, I explore how Gilles Deleuze's philosophy offers potential opening for (...) a more ontogenetic thinking of a ‘nonhuman ethics’. Specifically, I focus on how his theory of ‘individuation’ – conceived as a creative event of emergence in response to immanent ontological problems – informs his rethinking of ethics beyond the subject, opening thought to nonhuman forces and relations. I argue that if cinema becomes a focus of Deleuze's ethical discussions in his later work it is because the images and signs it produces are expressive of these nonhuman forces and processes of individuation, generating modes of perception and duration without ontological mooring in the human subject. Through a discussion of Verena Paravel and Lucien Castaing-Taylor's experimental film – Leviathan – I explore how the cinematic encounter dramatises different ethical worlds in which a multiplicity of nonhuman ‘points of view’ coexist without being reduced to a hierarchical or orienting centre that would unify and identify them. To conclude, I suggest that it is through the lens of an ethics of individuation that we can grasp the different sense of ‘responsibility’ alive in Deleuze's philosophy, one oriented not to the terms of the already-existing but rather to the nonhuman potential of what might yet come into being. (shrink)

This article challenges the idea that individual and collective agency require centred, fixed identities to be efficacious and meaningful. In post-foundational political thought, this idea frequently underpins an understanding of the subject as something temporarily consolidated through constitutive exclusions and a claim that political and ethical thought must negotiate the necessity for and inevitable failure of these exclusions. Against this thesis, the article presents a reading of Nietzsche’s analysis of the drives and their relation to the ego, holding that for (...) Nietzsche drives are synthesized into a complex but still dispersed assemblage that generates the illusion of unity in the form of an ego or ‘I’. For Nietzsche, the article argues, concrete agency is located in this assemblage of differences, the semblance of a centre being important in the coordination of these differences, but having no causal efficacy itself. The article concludes by examining whether Nietzsche falls into a variant of the ‘homunculus problem’ before turning to the doctrine of eternal return and showing how Nietzsche links his ethics to using the semblance of identity in order to overcome the need to link subjectivity to identity. (shrink)

Philosophy has long been fascinated by miracles, and with good reason. Where, however, the problem of the miracle once offered unparalleled insight into the inner workings of natural laws and of human knowledge, today, the attention commanded by it is essentially political. The sovereign’s miraculous suspension is the most well studied of these political dimensions, but this formulation is, in fact, ill-suited to the complexities inherent in the concept of the miracle. Political theology understands the miracle poorly, for it captures (...) only the inaugural movement of exception; it knows nothing of the social and political conditions it inspires. A key claim defended in this article is that the miracle possesses continuing interest for philosophy precisely because it lies in the heart of contemporary political formations, instituting a bond that tethers a collective to its present. It is thus more interesting as a figure of inception than of exception. The miraculous is uniformly distinguished as the unengendered, the neutral point of equilibrium against which any distribution of beings is measured. This is the meaning given the miraculous in the thought of Gilles Deleuze and Félix Guattari, and this article frames the political aspect of that theme by developing their concept of miraculation, which foregrounds the movement of inception. The article works out a conceptual genealogy, tracing the descent of the miracle back from Deleuze and Guattari to Baruch Spinoza and David Hume. Each contributes an element essential for the constitution of miraculation. It is argued that the miracle has always bound ‘desire and the social’, though in diverse ways. (shrink)

ABSTRACT In his late essay “To Have Done With Judgment” Gilles Deleuze puts forward an alternative aesthetics to those based within the doctrine of judgment. He argues that to do justice to the work of art, one must recognise the creation of the new modes of existence in the work to come. This essay aims to deepen the understanding of Deleuze’s concept of the “work to come” by going against the grain of contemporary scholarship’s focus on the essay’s ethical programme (...) in order to explore its possible aesthetic, ontological and phenomenological interpretations. To do justice to the work to come is as much a question of the affective relationship with the work and what this relationship might mean ethically speaking, as it is of the ontological difficulty of establishing ground, or indeed, of the phenomenological problem of genetic constitution. Adopting a phenomenological perspective, the essay argues that to forsake judgment in favour of justice is to approach the artwork in terms of genesis, to appreciate existence within the field of experience as being in a continual process of development. Central to this approach is Deleuze’s definition of combat as a productive interaction of forces, which results in new modes of existence being created. (shrink)