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  1. Experimental practices of music and philosophy in John Cage and Gilles Deleuze.Iain Campbell - 2015 - Dissertation,
    In this thesis we construct a critical encounter between the composer John Cage and the philosopher Gilles Deleuze. This encounter circulates through a constellation of problems found across and between mid-twentieth century musical, artistic, and philosophical practices, the central focus for our line of enquiry being the concept of experimentation. We emphasize the production of a method of experimentation through a practice historically situated with regards to the traditions of the respective fields of music and philosophy. However, we argue that (...)
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  • Novelty in Twentieth-Century French and Process Philosophy.Brian Claude Macallan - 2019 - Process Studies 48 (2):279-295.
    This article explores the thesis that novelty is central to a wide and diverse range of French philosophers in the twentieth century. Often these philosophers are seen on different sides of philosophic divides, but novelty brings them together. I will explore some of the fruitful areas for dialogue between French and process philosophy, particularly around the theme of novelty.
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  • The Powers of the False: Reading, Writing, Thinking Beyond Truth and Fiction.Doro Wiese - 2014 - Northwestern University Press.
    Can literature make it possible to represent histories that are otherwise ineffable? Making use of the Deleuzian concept of “the powers of the false,” Doro Wiese offers readings of three novels that deal with the Shoah, with colonialism, and with racialized identities. She argues that Jonathan Safran Foer’s Everything Is Illuminated, Richard Flanagan’s Gould’s Book of Fish, and Richard Powers’s The Time of Our Singing are novels in which a space for unvoiced, silent, or silenced difference is created. Seen through (...)
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  • Metaplasticity rendered visible in paint: How matter ‘matters’ in the lifeworld of Human action.Martyn Woodward - 2019 - Phenomenology and the Cognitive Sciences 18 (1):113-132.
    Recent theoretical and philosophical movements within the study of material culture are more carefully attending to the variety of ways in which human artefacts, institutions, and cultural developments extend, shape and alter human cognition over time. Material Engagement Theory in particular has set out to map, explore and understand the relational nature of mind and material world as can be read through cultural artefacts. Within the context of MET, the neurological concept of metaplasticity has been expanded to include the affective (...)
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  • Paint And Suffering: Series And Community In Francis Bacon's Paintings.Jennifer Dyer - 2003 - Animus 8:21-43.
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