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Pierre Klossowski: From Theatrical Theology to Counter-Utopia

In Nicolae Morar, Thomas Nail & Daniel W. Smith (eds.), Pierre Klossowski, Living Currency. Bloomsbury. pp. 1-40 (2017)

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  1. Klossowski and Wittgenstein on Sensation and Privacy.Conor Husbands - 2020 - Axiomathes 31 (4):529-548.
    This paper compares the treatment of private sensations in the works of Wittgenstein and Klossowski. Its aim is to show that, despite the differences between their traditions and methods, they align in at least one important respect: rejecting relations of reference between signs and private sensations. The paper briefly contextualises their lines of attack on these relations, situating the two thinkers’ commonalities amidst what are undeniably divergent wider purposes. It proceeds to argue for two more specific conclusions. Firstly, Klossowski’s own (...)
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  • Departing the parting – Jean-François Lyotard's 'The Hyphen' in light of Jewish and Christian studies.Jonathan Anderson - unknown
    History is narrated, as any good storyteller knows, and narration depends for its effects on our notions and metaphors. In their 2002 introduction to 'The Ways That Never Parted', Annette Yoshiko Reed and Adam H. Becker write “The notion of an early and absolute split between Judaism and Christianity, but also the 'master narrative' about Jewish and Christian history that pivots on this notion is being called into question”. In this thesis, by bringing the philosopher Jean-François Lyotard’s 'The Hyphen' into (...)
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