This essay explores the possibility of a metaphysical concept of continuity, which seems to have an implicit though decisive presence in Deleuze’s thought. It exposes a peculiar continuity that animates the indiscernibility of borders without making its constitutive elements homogenous or convergent, a zone of indiscernibility, wherein the borders vanish between the virtual and actual, expressed and expression, incorporeals and corporeals, sense in the proposition and event in states of affairs. Continuity conditions a fundamental indiscernibility but a heterogeneous one, a (...) disjunctive synthesis that does not compromise or negotiate the heterogeneity of its terms. This divergent continuity is explored in Logic of Sense, through a dialogue with Leibniz’s syncategorematic account of calculus and Dedekind cut. (shrink)

In this paper, I trace the concept of ‘becomings’, most thoroughly articulated in the tenth plateau of A Thousand Plateaus, as it relates to the notion of the writer as sorcerer. More precisely, my aim is to articulate how it is that Deleuze and Guattari conceptualise the writer as really effecting what they understand as ‘becomings’. My thesis is that if the writer is a sorcerer, capable of enabling real becomings, it is because language itself, for Deleuze and Guattari, is (...) bodily and material, and the author, particularly the literary author, has the ability to disrupt language's representational domain of sense, causing language to hum with the intensive vitality that puts it in closest proximity to the body, from whence language emerges in the first place. We shall first look to Bergson and Spinoza, from whom Deleuze and Guattari abstract their intensive conception of the body in A Thousand Plateaus. From here we will outline the apparent progression of becomings in the tenth plateau. Finally, we will look to the Kafka book as outlining the material and affective capacities of literature. (shrink)