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  1. Artistic Parrhesia and the Genealogy of Ethics in Foucault and Benjamin.Julian Brigstocke - 2013 - Theory, Culture and Society 30 (1):57-78.
    In The Use of Pleasure, Michel Foucault suggests that it is possible to read Walter Benjamin’s writings on Baudelaire as a contribution to a genealogy of ethics. This article experiments with reading Benjamin in this way. It shows that a distinctive analysis of each of the four elements of Foucauldian ethics (ethical substance, mode of subjectivation, ethical practice and telos) can be found in Benjamin’s work on Baudelaire and the Paris arcades. Specifically, the article makes the case for reading Benjamin (...)
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  • ‘It Makes My Skin Crawl...’: The Embodiment of Disgust in Phobias of ‘Nature’.Mick Smith & Joyce Davidson - 2006 - Body and Society 12 (1):43-67.
    Specific phobias of natural objects, such as moths, spiders and snakes, are both common and socially significant, but they have received relatively little sociological attention. Studies of specific phobias have noted that embodied experiences of disgust are intimately associated with phobic reactions, but generally explain this in terms of objective qualities of the object concerned and/or evolutionary models. We draw on the work of Kolnai, Douglas and Kristeva to provide an alternative phenomenological and culturally informed account of the complex links (...)
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  • The poiesis of 'human nature' : an exploration of the concept of an ethical self.Leticia Worley - unknown
    This thesis inquires into our ‘human nature’ through an interdisciplinary approach that considers some of the radical changes in intellectual thought at those key points in Western culture in which this concept has been centrally deployed. The broad historical sweep that this study covers finds the preoccupation with defining who we are and what we are capable of inextricably linked with the focus, at most of the pivotal moments examined, on a dominant impulse to conceive human beings as moral creatures.
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