This article, originally meant for an Auroville publication, consists mainly, besides the quotations, of a wide range of suggestions related to a transcultural approach to various questions raised by transdisciplinary research. All these suggestions converge on a central focus; the virtual reality of a subject/object interaction that eludes narrow disciplinary restrictions as well as rigid cultural definitions. Here, significantly, etymology seems to lead towards mythical cultural watersheds, just as philology has been offering clues to some fundamental philosophical discoveries, from Nietsche (...) to G. Colli. The recent impact of Orientalist studies leads further into the same initiatic dimension, wherein metaphysics, ontology, aesthetics, linguistics, cosmology and psychology, all blend in a continuum of psychic experience, while variations of conscious awareness could only be described, and not sharply differentiated. All this would point, not only to the emergence of new cognitive methods, but also to correspondingly adequate means of expression. A transcultural approach could, moreover, provide vital links between today's originality and the spiritual traditions of the past, adding thus a sense of cultural continuity to our endeavours in understanding evolution. (shrink)

In the celebrated tantric manual, the Tantrāloka, Abhinavagupta and his commentator Jayaratha establish a non-dual Śaiva theory of reflection using the key metaphors of light and reflective awareness. This paper attempts to explain the philosophical problem of reflection from the standpoint of these non-dual Śaivas. It also evaluates the problem in its hermeneutical context, analysing multiple layers of meaning and interpretation. Is the metaphor of reflection only a way of explaining the particular currents of the Śaiva phenomenology represented by the (...) concepts of prakāśa and vimarśa? What philosophical problem does Abhinavagupta seek to solve by complicating the category of reflection and giving it a quasi-paradoxical status? Why does he use the model of the subtle elements to explain the theory of reflection? What does the ‘untaintedness of the mirror of consciousness’ mean for his system? These questions form the focus of this paper. (shrink)