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  1. Nietzsche's Positivism.Nadeem J. Z. Hussain - 2004 - European Journal of Philosophy 12 (3):326–368.
    Nietzsche’s favourable comments about science and the senses have recently been taken as evidence of naturalism. Others focus on his falsification thesis: our beliefs are falsifying interpretations of reality. Clark argues that Nietzsche eventually rejects this thesis. This article utilizes the multiple ways of being science friendly in Nietzsche’s context by focussing on Mach’s neutral monism. Mach’s positivism is a natural development of neo-Kantian positions Nietzsche was reacting to. Section 15 of Beyond Good and Evil is crucial to Clark’s interpretation. (...)
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  • Cerebral Drawings between Art and Science: On Gilles Deleuze’s Philosophy of Concepts.Henning Schmidgen - 2015 - Theory, Culture and Society 32 (7-8):123-149.
    In What Is Philosophy?, Gilles Deleuze and Félix Guattari distinguish the functions of philosophy, art and science. According to this distinction, the primary purpose of philosophy is to invent concepts, the purpose of art to bring forth percepts, or sensorial aggregates, and that of science to delineate functions. This article aims to show that these distinctions are not as clear-cut as they appear. Using Deleuze and Guattari’s proposition that ‘philosophy is the art of forming, inventing, and fabricating concepts’ as a (...)
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  • The Catholic Response to Secularization and the Rise of the History of Science as a Discipline.Gabriel Motzkin - 1989 - Science in Context 3 (1):203-226.
    The ArgumentThis paper argues that the development of the history of science as a discipline should be seen in the context of the bitter nineteenth-century conflict between religion and secular culture in Catholic countries. In this context, neo-Thomist theologians were interested in formulating a Catholic strategy of accommodation to modern science and to modern social systems that would also permit rejection of both modern social theory and the positivist theory of science. While theologians such as Cornoldi and Mercier worked with (...)
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