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  1. Aristophanes vs. Socrates.Don Adams - 2014 - Dialogue 53 (4):691-713.
    Dans l’Apologiede Platon, Socrate affirme quephthonosetdiabolēont conduit Aristophane à devenir l’un de ses accusateurs. Soit Socrate commet une grossière exagération, car clairement Aristophane ne faisait que plaisanter, soit nous avons tort de penser que l’humour d’Aristophane n’est rien d’autre que de la plaisanterie. Dans cet article, je défends la seconde position. Je soutiens qu’Aristophane est un type spécifique de conservateur social et que Socrate était le genre de social-libéral qui dérangeait Aristophane. Je conclus queLes Nuéesn’est pas un texte innocent, mais (...)
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  • From Ponêêros to Pharmakos: Theater, Social Drama, and Revolution in Athens, 428-404 BCE.David Rosenbloom - 2002 - Classical Antiquity 21 (2):283-346.
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  • Sophocles the kōmōidoumenos: Two forgotten comic fragments.Sebastiana Nervegna - 2016 - Classical Quarterly 66 (1):32-45.
    In his biography of Polemon, head of the Academy from 313 to 269, Diogenes Laertius comments on Polemon's fondness for Sophocles after detailing Polemon's relationship with his predecessor, Xenocrates : ἐῴκει δὴ ὁ Πολέμων κατὰ πάντα ἐζηλωκέναι τὸν Ξενοκράτην· καὶ ἐρασθῆναι αὐτοῦ φησιν Ἀρίστιππος ἐν τῷ τετάρτῳ Περὶ παλαιᾶς τρυφῆς. ἀεὶ γοῦν ἐμέμνητο ὁ Πολέμων αὐτοῦ, τήν τ' ἀκακίαν καὶ τὸν αὐχμὸν ἐνεδέδυτο τἀνδρὸς καὶ τὸ βάρος οἱονεὶ Δώριός τις οἰκονομία. ἦν δὲ καὶ φιλοσοφοκλῆς, καὶ μάλιστα ἐν ἐκείνοις ὅπου κατὰ (...)
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  • The text of Horace, satires 1.4.4: Greek old comedy and lucilius.Giacomo Fedeli - 2017 - Classical Quarterly 67 (1):182-192.
    In the famous and widely cited opening of hisSatires 1.4, Horace states :Eupolis atque Cratinus Aristophanesque poetaeatque alii quorum comoedia prisca uirorum est,si quis erat dignus describi, quod malus ac fur,quod moechus foret aut sicarius aut alioquifamosus, multa cum libertate notabant. 5.
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  • Since orpheus was in short pants: Reassessing oeagrus at Aristophanes, wasps 579–80.Robert Cowan - 2021 - Classical Quarterly 71 (1):89-94.
    In Aristophanes’ Wasps, Philocleon says that he and his fellow jurors do not acquit Oeagrus until he has recited a speech from the Niobe. Scholars have almost universally assumed that this was the name of a contemporary tragic actor, despite its extreme rarity. This article argues that the reference is rather to the father of Orpheus. As a figure from the generation before the archetypal bard, ‘an Oeagrus’ represents the old-fashioned poetry to which Philocleon and his fellow jurors are devoted.
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