The detailed interpretation and translation of Nietzsche’s early Latin odes clearly show that Horace’s lyric poetry has an exemplary function for the development of Nietzsche’s own poetic language. Even in his later works, such as Twilight of the Idols and the Dionysos-Dithyrambs, Nietzsche’s poetic style and rhetorical strategies remain indebted to his early attempts to emulate classical Latin poetry when he was a pupil at the Pforta boarding school.

The later Nietzsche developed the “magic of the extreme” as a special strategy in order to make his philosophical reorientations successful. He needed this strategy not only to be heard at all; also the problems he faced called for it. The article first gives an overview of the most important problems Nietzsche coped with and the extreme solutions he offered. Then, we show how, according to Nietzsche, even Socrates, who stands for the beginning of the European Enlightenment, used the “magic” (...) of extreme irritation and fascination to get this Enlightenment on its way. (shrink)

Die Hauptthese dieses Buches ist es, Krankheit und Gesundheit mit Nietzsche auf zwei verschiedenen Ebenen zu denken, nämlich als Ereignisse des Willens zur Macht in einem zirkulär-relationalen Modell, in dem sie sich gegenseitig behaupten, sowie die Metaebene der Konzeptualisierung anzuerkennen. Es behandelt die Schwierigkeit des begrifflichen Denkens, diese Ereignisse einzuholen, und diskutiert kritisch Modellbildungen, die darauf hinauslaufen, dass Krankheit zu überwinden und als lineares singuläres Ereignis zu verstehen sei. In Nietzsches Spätwerk wird die Figur des "dionysischen Künstlers" als Idealisierung der (...) Gesundheit gemäß seiner interpretierenden Sichtweise der Welt dargestellt. Die Relevanz des Buches liegt darin, eine Analyse der Begriffe von Gesundheit und Krankheit (tragischer und schlechter Pessimismus) in direkter Beziehung zu leiblichen Vorgängen vorzulegen, die sich von metaphysisch-dialektischen Voraussetzungen befreit. Zu diesem Zweck widmet die Untersuchung sich einer intertextuellen Lektüre der fünf Vorreden, die Nietzsche 1886/87 zu seinen früheren Schriften verfasste, und verknüpft sie mit der Interpretation des Nachlasses und weiterer Veröffentlichungen aus seiner letzten Schaffensphase. (shrink)

“Older than Language Is the Mimicking of Gestures”: The Body as the Origin of Language. Nietzsche’s early philosophical ideas about language and its origin occupy a central place in scholarly discussions of his work. In order to examine Nietzsche’s interpretation of the constitution of human language, this article focuses not only on his early writings, but also on the first volume of Human, All Too Human as well as on his later period, in particular his work in 1887 and 1888. (...) The central claim of this article is that Nietzsche begins to view the body, with its gestures and movements, as the site of origin for instinctive unconscious language and the subsequent emergence of conceptual language. Already in 1872, and with the influence of contemporary scientific ideas, he begins to conceive the movement and gesture of the human body as the foundation for the origin of language. Strengthened in Human, All Too Human, this idea appears again in his later writings in 1887, when Nietzsche connects it to Charles Féré’s theories of “psychomotor induction” and “mental suggestion.” Finally, it is the Dionysian artist of 1888 who enjoys par excellence the capacity for suggestion, affect and immediate representation, and who thus becomes the master of communication. (shrink)

This article reflects on the complex nature of Nietzsche's enduring appreciation of Emerson. Rather than rely on merely coincidental similarities between the two thinkers, the essay discerns a more difficult relationship—that of friendship—which somehow, perhaps through character, unites the two without making them the same.

ABSTRACTIn the context of the well-established importance of Nietzsche’s engagement with Stoic thought for his work as a whole, this article seeks to make two claims. First, that the Mausoleum refe...