RESUMEN ¿Por qué cuando Platón quiere justificar su definición del sofista como un «fabricante de imágenes», se apoya sobre dos versos auténticos de Parménides que aluden, sin duda alguna, al camino recorrido por los «mortales que nada saben»? ¿Quiere acaso sugerir que esos «mortales», que son en realidad «fabricantes de opiniones», son un antecedente de los sofistas, que son «fabricantes de imágenes»? ABSTRACT Why, when Plato wants to justify his definition of the sophist as an "image maker", he quotes two (...) authentic verses of Parmenides that undoubtedly allude to the path taken by the "mortals who know nothing"? Does he want to suggest that these "mortals", who are actually "opinions makers" are ancestors of the sophists, who are "image makers"? (shrink)

Even if Plato never claimed to be a ‘historian of philosophy’, there are in his dialogues many references to previous philosophers. Apart from his works on the Sophists, which do not claim to faithfully expose the ‘philosophy’ of their authors, we find in Plato’s dialogues comments and sometimes quotations from the Presocratics, from Thales to Philolaos. In some cases, Plato adds the name of the quoted philosopher, but sometimes he leaves to the reader the task of finding out who the (...) commented or quoted author is. This is the case with Melissos in a passage of the Sophist (244b), where his name is not quoted, but an anonymous monistic philosopher expounds a literal quotation of the philosopher: ἓν μόνον ἔστιν (fr. B 8.1 DK). (shrink)