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  1. Art and Ontography.Simon Weir - 2020 - Open Philosophy 3 (1):400-412.
    Graham Harman describes the allure of art as the tension and fusion of a real object to sensual qualities so that it makes it seem that the inwardness of reality is opened to us. Yet real objects are withdrawn; how are we aware of their fusion? Since Harman’s ontology mandates that contact between real objects occurs only through sensual objects, this essay explores the idea that art’s allure must be a tension between sensual objects that draw the experiencer to believe, (...)
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  • On Correlationism and the Philosophy of (Human) Access: Meillassoux and Harman.Niki Young - 2020 - Open Philosophy 3 (1):42-52.
    Speculative Realism (SR) has often been characterised as a heterogeneous group of thinkers, united almost exclusively in their commitment to the critique of what Quentin Meillassoux terms ‘correlationism’ or what Graham Harman calls the ‘philosophy of (human) access.’ The terms ‘correlationism’ and ‘philosophy of access’ are in turn often treated – at times even by Meillassoux and Harman themselves – as synonymous. In this paper, I seek to analyse these terms to evaluate their similarities, but also possible differences. I shall (...)
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  • Editorial for the Topical Issue “Object-Oriented Ontology and Its Critics II”.Graham Harman - 2020 - Open Philosophy 3 (1):657-663.
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