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  1. Lefort and Rancière on democracy and sovereignty.Annabel Herzog - 2024 - Philosophy and Social Criticism 50 (2):323-342.
    This paper focuses on Lefort’s and Rancière’s conceptions of democracy as a set of conflictual processes through which the composition of the public sphere is reassessed. Reading their works together and sometimes in opposition to each other, the paper extracts elements of a theory of inessential sovereignty that avoids the pitfalls of populist antagonism and of neoliberal diffuse domination. It analyses Lefort’s and Rancière’s understandings of democracy as rule of the people, which are based on ontological and aesthetical distinctions between (...)
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  • Whose names count? Jacques Rancière on Alfredo Jaar’s Rwanda Project.Moya Lloyd - 2019 - Contemporary Political Theory 18 (3):311-330.
    This article focuses on Jacques Rancière’s reflections on Alfredo Jaar’s The Rwanda Project in the context of wider discussions of the politics of naming the dead. Against the claim that his reflections reveal a depoliticizing, universalist commitment to naming all the dead, it contends that foregrounding the relation between naming and counting in this discussion shows Rancière’s focus to be the policing and politics of naming. In an original argument, it focuses specifically on how, for Rancière, in this context, individualized (...)
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  • ‘Beyond civil bounds’: The demos, political agency, subjectivation and democracy's boundary problem.Maxim van Asseldonk - 2022 - Constellations 29 (2):161-175.
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  • Four Pieces on Repeal: Notes on Art, Aesthetics and the Struggle Against Ireland’s Abortion Law.Máiréad Enright - 2020 - Feminist Review 124 (1):104-123.
    The Repeal campaign articulated new and transformative relationships between law, reproduction and the political in Ireland. During the campaign, ordinary people took ownership of and participated in mutual teaching and critique of law on a wide scale. Art, along these lines, was often used to document and archive the injustices worked by the 8th Amendment. However, art also became a means of imagining law otherwise. In this piece, I use Jacques Rancière’s work on the relationship between aesthetics and politics to (...)
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  • (1 other version)The politics of the human.Laura Brace, Moya Lloyd, Andrew Reid, Kelly Staples, Véronique Pin-Fat & Anne Phillips - 2015 - Contemporary Political Theory 17 (2):207-240.
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