_Critical essays on Hegel's views concerning the relationship between religion and politics._.

In “Violence and Metaphysics” Jacques Derrida suggests that “the only effective position to take in order not to be enveloped by Hegel would seem to be…to consider false-infinity…irreducible.” Inversely, refuting the charge of logocentrism associated with Hegelian true infinity ( wahrhafte Unendlichkeit ) would involve showing that Hegel’s speculative logic does not establish the infinity of being exempt from the negativity of the finite. This paper takes up Derrida’s challenge, and argues that true infinity is crucial to Hegel’s understanding of (...) ideality as a question of normative authority, which does not fall prey to logocentrism. Through an exposition of the dialectic of the finite and the infinite in Hegel’s Science of Logic , I argue that true infinity is not an ontological category that eliminates division, but rather refers to the metalogical standpoint involved in a philosophical account of determinacy. Although fully achieved at the end of the Logic , the metalogical standpoint that Hegel elaborates in the Seinslogik under the banner of the true infinite already clarifies that determinacy is a product of normative authority that is itself precarious. (shrink)

I present Hegel’s position that beauty and moral agency cannot be paired in any productive way, demonstrating this as a culminating claim of the sixth chapter of The Phenomenology of Spirit. In this, we learn that for Hegel, beauty claims an ambiguous position, always eviscerated yet never fully put to rest. This dialectical tension requires that we attend to the place of beauty as it appears in Hegel’s thoughts on morality and marks a departure from a long-standing tradition – exemplified (...) in the work of such thinkers as Plato, Immanuel Kant, the ‘Beautiful Souls’ of 18th-century German Romanticism and Elaine Scary – that matches moral goodness with beauty. (shrink)

In this paper, I draw on the mutually implicated structures of tragedy and self-formation found in Hegel’s use of Sophocles’ Antigone in the Phenomenology. By emphasizing the apparent distinction between particular and universal in Hegel’s reading of the tragedies in Antigone, I propose that a tragedy of action (which particularizes a universal) is inescapable for subjectivity understood as socially constituted and always already socially engaged. I consider universal/particular relations in three communities: Hegel’s Greek polis, his community of conscience, and my (...) reading of certain feminist communities. The position I propose establishes a ground from which to approach subjects, and implies that all subjects may be understood as the result of relations embodying potential tragedy. This speaks to contemporary concerns about marginalization, identity articulation, and relations of recognition. (shrink)

Hegel afirma que la perspectiva del “alma bella” es sostenida por seguidores de Fichte que confunden el Yo absoluto con el yo psicofísico. Estos pensadores y literatos son reconocidos como miembros del Romanticismo alemán. Curiosamente, Hegel no menciona la obra de Jean Paul Richter entre estos casos. Jean Paul sostiene la identificación entre el Yo absoluto fichteano y la conciencia individual. Además, el autor de Hesperus define a los personajes principales de su novela como “almas bellas” y les atribuye cualidades (...) similares a las expuestas por Hegel en la concepción de su figura del Espíritu. El objetivo del presente artículo es demostrar la coincidencia entre la noción hegeliana de “alma bella” y la representación de la subjetividad expuesta por Jean Paul Richter en Hesperus. (shrink)