_Critical essays on Hegel's views concerning the relationship between religion and politics._.

In “Violence and Metaphysics” Jacques Derrida suggests that “the only effective position to take in order not to be enveloped by Hegel would seem to be…to consider false-infinity…irreducible.” Inversely, refuting the charge of logocentrism associated with Hegelian true infinity ( wahrhafte Unendlichkeit ) would involve showing that Hegel’s speculative logic does not establish the infinity of being exempt from the negativity of the finite. This paper takes up Derrida’s challenge, and argues that true infinity is crucial to Hegel’s understanding of (...) ideality as a question of normative authority, which does not fall prey to logocentrism. Through an exposition of the dialectic of the finite and the infinite in Hegel’s Science of Logic , I argue that true infinity is not an ontological category that eliminates division, but rather refers to the metalogical standpoint involved in a philosophical account of determinacy. Although fully achieved at the end of the Logic , the metalogical standpoint that Hegel elaborates in the Seinslogik under the banner of the true infinite already clarifies that determinacy is a product of normative authority that is itself precarious. (shrink)

Hegel’s practical philosophy has important insights for understanding the ethical role of the firm in modern society. From a broadly Hegelian perspective, the firm’s role in society is to facilitate freedom, that is, the concrete realization of rational agency. It does this by providing the institutional structures, norms, practices, and modes of discourse necessary for individuals to link their subjective aims with objectively valid societal aims, embodied in the firm’s purpose. Accordingly, I first present a Hegelian account of the link (...) between action and social structure, before arguing that the firm, when it functions properly, enables individuals to express their capacity for rational agency within concrete social contexts. I then draw upon Paul Adler’s Marxist analysis of the development of organizational structures and processes to support the viability of a broadly Hegelian account of the firm within a contemporary economic context. I conclude by outlining a number of practical implications of this account, before explaining its implications for two prominent theories of business ethics, the MacIntyrean perspective, and the Market Failures Approach. (shrink)

In this paper, I draw on the mutually implicated structures of tragedy and self-formation found in Hegel’s use of Sophocles’ Antigone in the Phenomenology. By emphasizing the apparent distinction between particular and universal in Hegel’s reading of the tragedies in Antigone, I propose that a tragedy of action (which particularizes a universal) is inescapable for subjectivity understood as socially constituted and always already socially engaged. I consider universal/particular relations in three communities: Hegel’s Greek polis, his community of conscience, and my (...) reading of certain feminist communities. The position I propose establishes a ground from which to approach subjects, and implies that all subjects may be understood as the result of relations embodying potential tragedy. This speaks to contemporary concerns about marginalization, identity articulation, and relations of recognition. (shrink)

Hegel afirma que la perspectiva del “alma bella” es sostenida por seguidores de Fichte que confunden el Yo absoluto con el yo psicofísico. Estos pensadores y literatos son reconocidos como miembros del Romanticismo alemán. Curiosamente, Hegel no menciona la obra de Jean Paul Richter entre estos casos. Jean Paul sostiene la identificación entre el Yo absoluto fichteano y la conciencia individual. Además, el autor de Hesperus define a los personajes principales de su novela como “almas bellas” y les atribuye cualidades (...) similares a las expuestas por Hegel en la concepción de su figura del Espíritu. El objetivo del presente artículo es demostrar la coincidencia entre la noción hegeliana de “alma bella” y la representación de la subjetividad expuesta por Jean Paul Richter en Hesperus. (shrink)