In J.M. Coetzee’s novel The Schooldays of Jesus (2016), the question of finding the ‘right education’ for a young child is a central and recurring theme. In particular, the novel presents us with t...

How can stories contribute to ethical education, when they reach people who have already been shaped by many stories, including ethically problematic ones? This question is pursued here by considering Plato’s allegory of the cave, focusing on a reading of it offered by Jonathan Lear. Lear claims that the cave allegory aims to undermine its audience’s inheritance of stories. I question the possibility and desirability of that project, especially in relation to ethical education. Some works of contemporary fiction by Jenny (...) Erpenbeck and J. M. Coetzee are discussed as stories that use more complex strategies for ethically constructive engagement with story-saturated audiences. (shrink)

What are the conditions required for becoming better human beings? What are our limitations and possibilities? I understand “becoming better” as a combined improvement process bringing persons “up from” a negative condition and “up to” a positive one. Today there is a tendency to understand improvement in a one-sided way as a movement up to the mastery of cognitive skills, neglecting the negative conditions that can make these skills mis-educative. I therefore tell six stories in the Western tradition about conditions (...) for a combined improvement process. The first three stories belong to our cultural ABC: an Aristotelian story about moral wisdom which brings people up from being enslaved by passions and up to a good life of virtues; a Biblical story about God’s word bringing listeners up from a self-centred life and up into creative work as God’s fellow workers, and a short Cave story by Plato about liberation—up from living by common illusions and up to enlightenment from what is perfectly good. The subsequent three stories interpret and actualise these basic stories in different ways: a story about moral wisdom and divine love (Thomas Aquinas), a story about individual freedom and rationality (Immanuel Kant), and a story about the love that builds us up as equal human beings (Søren Kierkegaard). These stories may directly guide us adults—and indirectly the children and youth who learn from our examples—when we struggle to become better human beings. (shrink)

This paper begins with the ‘ancient quarrel’ between philosophy and literature, which, with the subsequent splitting of logos into word and reason, comes to mark philosophy's self-conception and much other thinking besides—compartmentalising, in the process, what is understood by ‘literature’. Philosophy, thus separated becomes atemporal and abstract, preoccupied with propositions rather than statements or sentences, and, in some of its incarnations, aligning itself with science. Language, thus separated, becomes ‘literary’—that is, it comes to be epitomised by self-consciousness about literary form (...) and style; and a casualty of this is the ‘poetic’, a term whose origins in poiesis (production of meaning) are forgotten. But the relationship has never been as settled as it may have seemed, and a series of examples from classical and contemporary philosophy and literature helps to demonstrate this. At stake in these examples are the ways in which reason requires that one means what one says. A classic expression of commitment to this view is provided in Hamlet, by the much-quoted words of Polonius to his son, who is about to travel to Germany to study philosophy: ‘This above all, to thine own self be true’. The implications of this in relation to the claims of reason are developed with reference to moral education and the development of judgement for learners and teachers. (shrink)