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Herodots Gyges-Tragödie

Hermes 96 (3):385-400 (1968)

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  1. Herodotus' Use of Attic Tragedy in the Lydian Logos.Charles C. Chiasson - 2003 - Classical Antiquity 22 (1):5-35.
    This essay explains the appearance of tragic narrative patterns and motifs in the Croesus logos not as a passive manifestation of "tragic influence," but as a self-conscious textual strategy whereby Herodotus makes his narratives familiar and engaging while also demonstrating the distinctive traits of his own innovative discourse, historie. Herodotus' purposive appropriation and modification of tragic technique manifests the critical engagement with other authors and literary genres that is one of the defining features of the Histories. Herodotus embellishes the story (...)
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  • Educating Croesus: Talking and Learning in Herodotus' Lydian {Logos.Christopher Pelling - 2006 - Classical Antiquity 25 (1):141-177.
    Two themes, the elusiveness of wisdom and the distortion of speech, are traced through three important scenes of Herodotus' Lydian logos, the meeting of Solon and Croesus , the scene where Cyrus places Croesus on the pyre , and the advice of Croesus to Cyrus to cross the river and fight the Massagetae in their own territory . The paper discusses whether Solon is speaking indirectly at 1.29–33, unable to talk straight to Croesus about his transgressive behavior: if so, that (...)
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  • The Cyrus Anecdote in Herodotus 9.122.Ruobing Xian - 2020 - Classical Quarterly 70 (1):16-26.
    The Cyrus anecdote recounted in the final chapter of Herodotus’Histories(9.122) has received the frequent notice of critics, with particular attention paid to the anecdote's relation to the work as a whole. Scholars have long since noted that the episode involves ‘the intersection of two basic narrative modes on which Herodotus has relied throughout theHistories: ethnographic description and detailed accounts of political activity and decision-making’. Thus scholars have illuminated the significance of the anecdote by comparing it to other thematically related passages (...)
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