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  1. (1 other version)Anonymity and Sociality: The Convergence of psychological and philosophical Currents in Merleau-Ponty’s ontological Theory of Intersubjectivity.Beata Stawarska - 2003 - Chiasmi International 5:295-309.
    In the prospectus for his later work pronounced in 1952, Merleau-Ponty announced that his move beyond the phenomenological to the ontological level of analysis is motivated by issues of sociality, notably communication with others.' I propose to interrogate this priority attributed by the author to this interpersonal bond in his reflections on corporeality in general, marking a departure from The Structure of Behavior and The Phenomenology of Perception, which privileged the starting point of consciousness and the body proper. My interest (...)
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  • ‘What to wear?’: Clothing as an example of expression and intentionality.Ian King - 2015 - Argument: Biannual Philosophical Journal 5 (1):59-78.
    I will argue here that for many of us the act of dressing our bodies is evidence of intentional expression before different audiences. It is important to appreciate that intentionality enables us to understand how and why we act the way we do. The novel contribution this paper makes to this examination is employing clothing as a means of revealing the characteristics of intentionality. In that, it is rare to identify one exemplar that successfully captures the relationships between the cognitive (...)
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  • Merleau-Ponty's contribution to the theory of recognition.Jean-Philippe Deranty - 2019 - Handbuch Anerkennung.
    Maurice Merleau-Ponty was an important twentieth century contributor to the theory of recognition, even though he made literal reference to the concept only sparingly. He emphasized the importance of recognition, not only at the level of inter-personal relations and in the individual’s inclusion in the social, but also in terms of the capacity of human beings to communicate across cultures and across historical distances. The shift towards ontology in his later work provided a renewed grounding for his interest in intersubjectivity (...)
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  • Controlling Gaze, Chess Play and Seduction in Dance.Gediminas Karoblis - 2007 - Janus Head 9 (2):329-343.
    The article introduces the phenomenological idea of 'natural attitude' in the field of dance. Three phenomena, which very clearly show the embodiment of the natural attitude and its resistance to the requirements of dance, are analyzed. The 'controlling gaze' is the natural tendency to look at the limbs andfollow their movements instead of proprioceptive control The 'chess play' is a natural tendency of moving on the flat surface and ignoring the volume of movement. The 'seduction' is a natural tendency to (...)
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  • Mutual gaze and social cognition.Beata Stawarska - 2006 - Phenomenology and the Cognitive Sciences 5 (1):17-30.
    I examine the role of mutual gaze in social cognition. I start by discussing recent studies of joint visual attention in order to show that social cognition is operative in infancy prior to the emergence of theoretical skills required to make judgments about other people's states of mind. Such social cognition depends on the communicative potential inherent in human bodies. I proceed to examine this embodied social cognition in the context of Merleau-Ponty's views on vision. I expose some inner difficulties (...)
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