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False reflections

Philosophical Studies 174 (5):1227-1242 (2017)

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  1. Mirrors, Windows, and Paintings.Calabi Clotilde, Huemer Wolfgang & Santambrogio Marco - 2022 - Estetika: The European Journal of Aesthetics 1:22-32.
    What do we see in a mirror? There is an ongoing debate whether mirrors present us with images of objects or whether we see, through the mirror, the objects themselves. Roberto Casati has recently argued that there is a categorical difference between images and mirror-reflections. His argument depends on the observation that mirrors, but not paintings, are sensitive to changes in the observer’s prospective. In our paper we scrutinize Casati’s argument and present a modal argument that shows that it cannot (...)
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  • Seeing in Mirrors.Alberto Voltolini - forthcoming - Journal of Aesthetics and Art Criticism.
    Notwithstanding Plato’s venerable opinion, many people nowadays claim either that mirrors are not pictures, or that, if they are such, they are just transparent pictures in Kendall Walton’s sense of a particular kind of picture. In this article, however, I want to argue that mirrors are bona fide pictures. For they are grasped via what, as I assume in the article, makes a picture a picture, that is, a representation with a figurative value, namely, a depiction; namely, a certain seeing-in (...)
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  • Mirrors and Misleading Appearances.Vivian Mizrahi - 2019 - Australasian Journal of Philosophy 97 (2):354-367.
    ABSTRACTAlthough philosophers have often insisted that specular perception is illusory or erroneous in nature, few have stressed the reliability and indispensability of mirrors as optical instrumen...
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  • Still Life, a Mirror: Phasic memory and re-encounters with artworks.Clare Mac Cumhaill - 2020 - Review of Philosophy and Psychology 11 (2):423-446.
    Re-encountering certain kinds of artworks in the present (re-listening to music, re- reading novels) can often occasion a kind of recollection akin to episodic recollection, but which may be better cast as ‘phasic’, at least insofar as one can be said to remember ‘what it was like’ to be oneself at some earlier stage or phase in one’s personal history. The kinds of works that prompt such recollection, I call ‘still lives’ - they are limited wholes whose formal properties are (...)
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  • The Virtual and the Real.David J. Chalmers - 2017 - Disputatio 9 (46):309-352.
    I argue that virtual reality is a sort of genuine reality. In particular, I argue for virtual digitalism, on which virtual objects are real digital objects, and against virtual fictionalism, on which virtual objects are fictional objects. I also argue that perception in virtual reality need not be illusory, and that life in virtual worlds can have roughly the same sort of value as life in non-virtual worlds.
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  • What is in the Mirror? The Metaphysics of Mirror Images in Albert the Great and Peter Auriol.Lukas Licka - 2019 - In Brian Glenney & José Silva (eds.), The Senses and the History of Philosophy. London: Routledge. pp. 131-148.
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