Museums establish specific contexts, framings, which distinguish them from viewing the world face-to-face. One striking aspect of exhibition in so-calledparticipatorymuseums is that it echoes and transforms the limits of its own frame as a public space. I argue that it is a mistake to think of the meaning of an exhibit aseitherdetermined by the individual viewer's narrativeoras determined by the conception as presented in the museum's ‘authoritative’ narrative. Instead I deploy the concept of amodel of comparisonto illuminate the philosophical significance (...) of perspective in understanding the idea of objectivity in museum narratives. (shrink)