This work tries to show that the metapoetic meditation developed by Ramos Rosa throughout his very extensive poetic work not only did not condemn his poetry to a cold cloister in the textual plane, but also contributed decisively to the opening to the real, to the effect of evidence and to the sense of communion that would become increasingly sensitive in his writing. To this end, we propose to clarify the thread that, under the aegis of the poetic lucidity consecrated (...) by the author, leads us from his metapoetic meditation to a poetic meditation of an ontophenomenological and sapiential nature, that is, from his metapoetry to a poetry whose wisdom provides a set of intuitions with a sapiential and philosophical accent. It is our intention to contribute, in this way, to the understanding of the (cognitive and ontological) demand and scope of Rosa’s poetic path, as well as, collaterally, to the debate around topics such as poetic (self-)reference, the ontological status of the poetic text or the philosophy-literature relationship. (shrink)

This article addresses the subject of the ekphrastic description of experiencing music. It shows the main differences between ekphrasis and commonly used analysis in music theory and musicology. In approaching the problem of ekphrasis with what is called pure music, I emphasize its ancient understanding, thus differing from Lydia Goehr (2010) and Siglind Bruhn (2000, 2001, 2019). The ekphrastic analysis of the first movement of Arnold Schoenberg’s Six Little Piano Pieces Op. 19 conducted in this article uses the methodology developed (...) by Gottfried Boehm (2014) and Georges Didi-Huberman (2005, 2015, 2017, 2018) in the discipline of art history. This article aims to delineate a new way of researching the art of music, an essential feature of which is the combination of the traditions of analytic philosophy and phenomenology. (shrink)

IMAGO TEXT 2020 ABSTRACTS -/- (German abstract below) The text presents a structural analysis and a logical theory of creativity. It argues that creativity emerges from the translation between two forms of precision, thus from the ubiquitous transformation between incompatible forms of thought and articulation. This transformation allows for unexpected surpluses and innovations, in conjunction with fallacies, waste and noise. Common myths and misconceptions – i.e. about creativity as a force in dire supply - are debunked, as are mistaken strategies (...) for creativity-enhancement. Instead, suggestions are offered as to how educational institutions can channel and enable ubiquitous energies – instead of investing much resources and effort into their suppression. -/- Der Text präsentiert eine strukturelle Analyse und eine logische Theorie der Kreativität. Er argumentiert, dass Kreativität aus der Übersetzung zwischen zwei Formen der Präzision hervorgeht, aus der allgegenwärtigen Transformation zwischen unvereinbaren Formen des Denkens und der Artikulation, was zu Überschuß und produktiven Abweichungen wie auch Abfall und Fehlschlüssen führt. Verbreitete Mythen und Missverständnisse – etwa zu Kreativität als Mangelware – werden diskutiert sowie Strategien zur Kreativitätsförderung. Es geht um Vorschläge, wie pädagogische Institutionen die stets vorhandenen kreativen Energien kanalisieren und ermöglichen können, anstatt sie mit viel Aufwand zu unterdrücken. (shrink)

In the first two sections of this reply article, I provide a brief introduction to the topic of ineffability and a summary of Ineffability and Religious Experience. This is followed, in section 3, by some reflections in reply to the response articles by Professors Metz and Cooper. Section 4 presents some concluding remarks on the future of philosophy of religion in the light of the most recent philosophical work on ineffability.

In Heidegger’s Being and Time certain concepts are discussed which are central to the ontological constitution of Dasein. This paper demonstrates the interesting manner in which some of these concepts can be used in a reading of T.S. Eliot’s The Love Song of J. Alfred Prufrock. A comparative analysis is performed, explicating the relevant Heideggerian terms and then relating them to Eliot’s poem. In this way strong parallels are revealed between the two men’s respective thoughts and distinct modernist sensibilities. Prufrock, (...) the protagonist of the poem, and the world he inhabits illustrate poetically concepts such as authenticity, inauthenticity, the ‘they’, idle talk and angst, which Heidegger develops in Being and Time. (shrink)

In this paper we explore the phenomenon of writing online. We ask, ‘Is writing by means of online technologies affected in a manner that differs significantly from the older technologies of pen on paper, typewriter, or even the word processor in an off‐line environment?’ In writing online, the author is engaged in a spatial complexity of physical, temporal, imaginal, and virtual experience: the writing space, the space of the text, cyber space, etc. At times, these may provide a conduit to (...) a writerly understanding of human phenomena. We propose that an examination of the phenomenological features of online writing may contribute to a more pedagogically sensitive understanding of the experiences of online seminars, teaching and learning. (shrink)

If humans are created in the image of a trinitarian God, then we might consider that the fundamental ontology of humans would be relational, furthermore to some degree perichoretic. If perichoresis is somehow reflected in human relations, perichoresis should be evident analogically in our social relations, theology, and various disciplines of thought. This relational concept of the Church Fathers failed to be further developed because the concept of the Trinity fell from theological focus over the centuries. Today subtle but radical (...) changes are occurring in the field of social psychology and communications theory. Whereas it was once common for modern paradigms to dominate the field, social constructionists have begun to react against the preponderance of typically modern themes as the primacy of the subject or ontological discourse framed exclusively in the language of subject-subject. On the other hand, their work offers a unique opportunity for Christian theology to expand its understanding of perichoresis. For Kierkegaard the relationship itself becomes a positive third term that intensifies the polarities and therefore suggests an alternative tripartite consideration: subject-relationship-subject. From this tripartite relational structure of humanity as differentiated-unity, I am positioned to develop a logic of spirit and explore the possibility of analogia spiritus—the non-reflexive transformational dynamic facilitating holistic change and meaning—as the essential dynamic within perichoresis. This in turn reveals that these dynamics active as human spirit can be analogically correlated in mutual co-conditioning reciprocity in relation to the Trinity and the Eternal activity of the Spirit and Christ. (shrink)

“Meaning” and “religion” appear as deeply interlinked concepts in modern thought. Theology has often discovered religious faith as a “source of meaning” against a background of “meaninglessness”, as the XX century existentialist philosophies would remark. Beyond such an apologetic stance, some philosophies of religion have tried to better describe such a link: hermeneutics, phenomenology and even systems theory, may be accounted as main attempts to tackle this very complex framework, and to show how religion provides meaning, or is built trough (...) structures of meaning, or is a form of “meaning-construction”. Cognitive approach may add new perspectives to better explain this implication. Recent attempts combine scientific methods and philosophical analysis to show how meaning is built and works, and how religion provides a specific sort of meaning, distinct from other forms in which meaning displays itself: moral, aesthetic, or affective. Describing religion in terms of “meaning management” helps to better understand its specific role and function in the human mind, beyond the most reductivist programs, and offers a more balanced view on its cognitive dimensions. Different attempts to connect religion and meaning are reviewed in this paper in order to offer an alternative model to the new scientific study of religion. (shrink)

Through a phenomenological study of horse-human relations, this article explores the ways in which, as embodied beings, we live relationally, rather than as separate human identities. Conceptually this challenges oppositional logic and humanist assumptions, but where poststructuralist treatments of these issues tend to remain abstract, this article is concerned with an embodied demonstration of the ways in which we experience a relational or in-between logic in our everyday lives.

Abstract In this article we develop a relational understanding of sociality, that is, an account of social life that takes relation as primary. This stands in contrast to the common assumption that relations arise when subjects interact, an account that gives logical priority to separation. We will develop this relational understanding through a reading of the work of Martin Buber, a social philosopher primarily interested in dialogue, meeting, relationship, and the irreducibility and incomparability of reality. In particular, the article contrasts (...) Buber’s work with that of poststructuralist theorists who take as their starting point the deconstruction of the Hegelian logic of binary oppositions. Deconstruction understands difference as the excess that undoes the binary, but Buber, we argue, shows how difference derives from the primacy and ontological undefinability of relation. Relational logic does not exclude the logic of separations and oppositions: relation is the primal ground that makes separations possible. Content Type Journal Article Pages 1-13 DOI 10.1007/s11841-011-0278-9 Authors Andrew Metcalfe, School of Social Sciences and International Studies, University of New South Wales, Sydney, NSW 2052, Australia Ann Game, School of Social Sciences and International Studies, University of New South Wales, Sydney, NSW 2052, Australia Journal Sophia Online ISSN 1873-930X Print ISSN 0038-1527. (shrink)

Chopra and Weiss address perhaps the fundamental issue in international relations today: the sacrosanct sets of sovereignty. The word "sovereignty" explains why the international community has difficulty countering human rights violations.

Taking as its point of departure the works of Jacques Ellul, Sven Birkerts, George Steiner, Uwe Poerksen, and others, this article explores the status of language in a technicized civilization. It is argued that language has devolved under the impact of technology, particularly in the dimension of values and ethics. This diagnosis points to the way from which a possible cure may emerge.

This in-depth qualitative study considered how women from two different generations came to understand birth in the context of their own experience but also in the milieu of other women’s stories. For the purposes of this thesis the birth story encompassed personal oral stories as well as media and other representations of contemporary childbirth, all of which had the potential to elicit emotional responses and generate meaning in the interlocutor. The research utilised a hermeneutic phenomenological approach underpinned by the philosophies (...) of Heidegger and Gadamer. This methodology allowed the significance of the experience of engaging with stories to be grasped, and in-depth insights into the meanings and lived experience for women of the phenomenon to be made. Twenty participants were purposively selected, recruited and interviewed. In phase one ten women who were expecting their first baby in 2013 were recruited in order to explore how they understood birth prior to the event and in the light of other women’s stories. Birth stories were revealed as one of many ‘voices’ offering ‘advice’ to women about birth. The women also talked about classes they had attended, books they had read, websites and online forums they had accessed, as well as television programmes and films they had watched. The conversations with the first cohort of women led to further questions about whether the information gleaned from media and virtual birth story mediums creates meaningful knowledge about birth for women. The second phase evolved from this thinking. In phase two interviews with an older cohort of women were undertaken to determine whether women from a different era were more able to translate knowledge into meaning. This was based on the belief that, for this generation of women, stories were mediated by personal contact and not though virtual technologies as in the previous generation of women. Phenomenological conversations with the participants took place in the iterative circle of reading, writing and thinking. This revealed the experience of ‘being-in-the-world’ of birth for the two generations of women and the way of communicating within that world. From a Heideggerian perspective, the birth story was constructed through ‘idle talk’ and took place across a variety of media accessed by women, as well as through face to face conversations. Five central and interrelated interpretive findings emerged. Firstly the stories the women engaged with, had a significant role to play in their understanding and expectations of birth. The ‘norm’ as portrayed in the stories circulating in 2013, for instance, was one which perpetuated what one participant described as the ‘drama of birth’. Secondly, the modern ‘landscape’ of birth created and perpetuated fear of childbirth for many of the women. The stories shared were lacking in detail about women’s lives, and did not necessarily help them to become ‘knowers’ and gain wisdom about birthing. Thirdly, the women birthing in the present day were overloaded with information amassed in an attempt to manage their anxieties about birth as well as to fit the role of the informed patient, and demonstrate their competency as mothers. Fourthly the cultural and spiritual significance of birth was not shared in the circulating stories in either generation. Finally, some of the birthing women felt secure in the ‘system’ of birth as constructed, portrayed and sustained in the stories widely circulated. The data revealed that the lifeworld of birth being sustained in stories was one of product and process, concentrating on the stages and progression of labour and the birth of a healthy baby as the only significant outcome. Taken as a whole this thesis revealed that the information gleaned from birth stories did not in fact create meaningful knowledge and understanding about birth for these women. The study is unique in that no other published research has explicitly identified the premise of the ‘modern birth story’ or the notion of ‘idle talk’ in relation to childbirth. Further no other study has considered the phenomenon of engaging with these types of stories whilst pregnant. This study reveals how engaging with the ‘modern birth story’ and the ‘idle talk’ of birth may influence women’s expectations and consequent experience of birth. (shrink)

Historically, there has been an ambivalent attitude in psychology toward the place of the “subjective” both in clinical practice and in research. This has been true even for phenomenological research where there is a desire to embrace the personal while there is also a concern that findings be presented as if they are objective in the sense of having an existence independent of the particular researcher’s relationship to them. This article discusses a collaborative approach to research that depends on the (...) development of a relationship of intimacy among the researchers and between the researchers and the phenomenon under study. The dialogal phenomenological approach has a twenty-year history and has been used to study phenomena such as social activism, helping and healing, forgiveness, and hopelessness. Focusing especially on two recent studies of hopelessness, I discuss how in the context of dialogue among researchers presence and intimacy, and truth and understanding become possible, and how working collaboratively makes it easier to find words to speak to what one encounters. (shrink)

Frederick Kiesler's Endless House was a response to the principles of functionalism that dominated architectural theory during his lifetime. The house was developed from his philosophy of correalism and his galaxial art. Correalism explains his understanding of the universe as correlating proposing an integration of technology into architecture, and galaxial art is a method for producing art based upon his idea of art as ritual. Kiesler attempted to apply his new awareness to the Endless House design. In many ways, he (...) was successful in uniting theory and design, but the house was never built. While highlighting the work's deficiencies this fact distracts his critics causing them to overlook his actual accomplishments. (shrink)

One can extrapolate from the art of language instruction to discover methods applicable across the disciplines in higher education. The paradigm presented by language instruction is applicable throughout the arts and sciences. If cultivated—and there are institutional pressures working against it—such an art can impact the languages and codes of the individual disciplines so as to advance the research mission of scholars in those fields; it can also favor the interrelationships between the disciplines. How the student learns another language (L2) (...) is comparable to the process of learning a scientific discipline. (shrink)

Differences of understanding in science and in religion can be explored via the distinction between paradigmatic and narrative modes of explanation. Although science is inclusive of the paradigmatic, I propose that in explaining the behavior of complex adaptive systems, and in the human sciences in particular, narratives may well constitute the best scientific explanations. Causal relationships may be embedded within, and expressions of higher-order constraints provided by, complex system dynamics, best understood via the temporal organization of intentionalities that constitute narrative. (...) Complex adaptive systems, out of which intentions emerge, have behavioral trajectories that are in principle unique, contingent, and nondeterministic even in stable states and unpredictable across phase transitions. Given such unpredictability, the only explanation can be an interpretive story that retrospectively retraces the actual changes in dynamics. Without narrative, personality traits and human actions are incomprehensible. Such phenomena do not permit a reduction of purposive acts to nonpurposive elements or of reasons to the causes they constrain. Causality does not exhaust meaning. Given the role of narratives in human lives, religion and mythology provide larger stories within which individual stories make sense. Differences between narrative and historical truth suggest how we can be constituted by what we imagine ourselves to be. (shrink)

Health humanities is an emergent interdisciplinary field drawing on existing traditions of using resources from the arts and humanities in the education of health professionals. Cultivation of compassion is often cited, though not without some debate, as a fit goal for the health humanities. In this paper, I undertake a critical reappraisal of the presumed link between health humanities and compassion. Firstly, I propose a model of the health humanities that takes up Derrida’s figure of the pharmakon, as polyvalent medicine (...) or poison. Unlike Derrida, however, I treat the pharmakon as a substance, even when referring to arts and humanities. I then offer examples of negative effects of the pharmakon that both attest to its potency and unsettle comfortable assumptions that it is necessarily benign. Finally, I take up themes from Simone Weil’s reading of the Iliad to propose that necessity may be a useful alternative, or addition, to the ways we think about the goals of the health humanities. (shrink)

The article deals with the fundamental complexity and controversy of the non-coincident self concept in the Dostoevsky“s novel “Brothers Karamazov”. Theoretical and philosophical investigation of the subject of judgment“s category is proposed. One of the guiding conceptual frameworks for the novel then is an articulation of true judgment: the possibility of sitting in judgment on the other, and the nature of the subject who is being judged. It is emphasized that the novel’s dominant man under judgment is Dmitri Karamazov. The (...) article points to the contrast between the official and unofficial judgments thus broadly affirms the polar categories of falsity and truth. It is argued that this contrast enacts a familiar Western metaphysical paradigm: truth is aligned with the private, the interior, and the familial; falsity is aligned with the official, the public, and the bureaucratic. In the space of the private, real communication can occur as interiority is exposed to interiority. The problem of non-coincident self and subject of judgment in the “Brothers Karamazov” is considered in the light of basic difference in the Levinasian and Bakhtinian readings of Dostoevsky. Bakhtin believes that the subject escapes this tautology by being more than the perception of him or her by outside eyes. The Levinasian conception of non-coincidence revolves around a disjunction between what might be called levels of subjectivity. The subject is himself and that which has himself – the Levinasian subject is that which takes itself as its own content. The Bakhtinian subject is that which exceeds the others’ grasps. At the same time the Bakhtinian and Levinasian understandings of the subject both insist on the point that the subject is non-coincident with himself The article takes into account the contemporary theoretical approaches of to the Dostoevsky“s studies: Gary L. Browning, M. Goldstein, C. Emerson’s reading in “Zosima’s “Mysterious Visitor”: Again Bakhtin on Dostoevsky, and Dostoevsky on Heaven and Hell”. (shrink)

This essay considers the analysis Jacques Ellul carried out about the devaluation of language. This investigation also explores the consequences of that devaluation (or humiliation as Ellul called it) wrought by our orientation to technology. Our existence in technology transforms language and our use of it, shifting emphasis as well to the visual image. The technological mindset encourages a disregard for language. It entails as well the disuse and misuse of what is perhaps most human about us, language. As language (...) conforms to the technological order, our thought processes, narratives, relationships, freedom, even being human are altered and threatened. (shrink)

The possibility of in-breakings of God in science is discussed. A realist philosophy of science is used as a framework in which new paradigms are seen as providing ever better approximations to the true underlying structure of nature, which will be revealed in the eschaton. It is argued that ecology–the study of the earth as a whole–cannot be treated as a natural science because there can be no paradigms for understanding the earth as a whole. Instead technology is used as (...) a means for interacting with God through nature. (shrink)

In a world where all of life is on the edge of extinction and destruction by humankind, those who practice religion-and-science within a mutual dialogue bear the responsibility of doing so with this edge of life in mind. To speak of religion-and-science as a field of inquiry is to acknowledge the ethical responsibilities it entails. If one task of Zygon is to reformulate religion in light of the future dialogue of religion-and-science, we need to think about what kind of hope (...) for the future is needed. Clearly, we are not simply called to repeat the past or comment on what has already been done by other academics. To help accomplish these goals and to reflect on the mission and future of Zygon , I appeal to the metaphor of improvisation, particularly as it is embodied in the visual and performing arts. (shrink)

What can literary education contribute to moral education? In this article the inherent practical, moral or political, relevance of literature and literary education is defended, which is opposed to a moralist approach to (children's) literature. A much debated danger in literature and the arts, viz. that it gives rise to a flight into a "promised land" instead of having relevance for real life and the real world, can be overcome by bringing to the fore the active part the reader plays (...) in realizing the "world of the work." The classical idea of mimesis (i.e. of art mirroring reality) then makes room for a historicity of reading with an ongoing interplay of the (real) worlds of readers and the (fictive) world of the text. This idea is elaborated on from the point of view of Ricoeur's hermeneutics and from that of Iser's reception aesthetics, respectively. In realizing the world of the work the world of the reader is transcended and opened up towards the possible. In this reconfiguration lies the practical relevance of literature. Books, therefore, do not have to mirror the actual world in order to be morally or politically relevant. It is in the act of reading that the lasting significance of so-called classics is renewed time and time again. (shrink)

Classically, we have treated talk of such things as meaning, understanding, and thinking, etc., as raising problems about mental states assumed to exist inside people's heads. And in our philosophical inquiries, we have sought determinate in-principle solutions to these problems. In the dialogical, relational-responsive view of language use presented here — influenced by Wittgenstein, Bakhtin, and Voloshinov — a very different view of such talk is presented. Our 'inner lives' are not hidden 'inside' us, but are 'displayed' out 'in' the (...) unfolding, living encounters spontaneously occurring between us and the others around us as we live out our lives. (shrink)

The article proves that according to Girard envy is the most important property of a person, determining the order of violence and victims. It is shown that, in the light of the anthropological significance of envy, Girard reads Dante’s Divine Comedy. It is revealed that, according to Dante, the harmful effects of envy can be overcome by grace. It is mercy that breaks the logic that requires constant sacrifices in order to maintain the sacred order. Understanding charity as a way (...) to overcome envy requires a theological and religious-philosophical understanding of accepting the gift of salvation without violence towards the Other. “Divine Comedy” can be called a theater of mercy, and not only because the first word of its hero is Miserere, have mercy, and it ends with the anthem of the merciful Virgin, but because of its pragmatics of hope, which offers not contemplation, but a transformative action capable of leading each of his readers “to the state of happiness” and include it in the drama of God’s mercy beyond the literary text. Dante not only records the dynamics of envy, but helps to understand how to overcome the crisis of violence, by including the story of purification from envy in a broader perspective of the general path of purification. (shrink)

Our reception and perception, our experience of music, has been profoundly determined by our technological devices and media. Whatever music we happen to like and listen to, we can hardly experience it today apart from its production and reproduction in and through technology. The effects of technology on making and hearing music require critical analysis. Because of the pervasive role of technology, music today is almost entirely mediated and mediate, almost never unmediated and immediate, almost always “Memorex,” almost never “live.” (...) Music has been severely altered, reduced, even hollowed out. In this respect, music loses something of its reality. (shrink)

The Internet has become a resource for everyone for everything. It is accordingly now also a source of sermons and much more for pastors of churches in the USA. In consequence, the Internet shapes and alters how pastors and parishioners practice their religion. Because “the medium is the message,” as Marshall McLuhan observed, Internet sermons necessarily reflect and convey something of their Internet source. So, too, the nature and content religious life changes and takes on the characteristics of its new (...) source of inspiration, the Internet. As the dominant expression of technology today, the Internet reveals technology ultimately and in the words of Jacques Ellul as “the real religion of our time.”. (shrink)

This article began as a paper read at the ‘Embedded Memory and the Theological Contours of Division’ seminar held at Trinity College, Dublin in December 2011. I should like to thank Professor Linda Hogan of the Irish School of Ecumenics at Trinity for the opportunity of rehearsing these ideas in that forum.