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  1. Standpoint theory, situated knowledge and the situated imagination.Nira Yuval-Davis & Marcel Stoetzler - 2002 - Feminist Theory 3 (3):315-333.
    The aim of the article is to further assess and develop feminist standpoint theory by introducing the notion of the `situated imagination' as constituting an important part of this theory as well as that of `situated knowledge'. The article argues that the faculty of the imagination constructs as well as transforms, challenges and supersedes both existing knowledge and social reality. However, like knowledge, it is crucial to theorize the imagination as situated, that is, as shaped and conditioned (although not determined) (...)
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  • Nationalism as competing masculinities: homophobia as a technology of othering for hetero- and homonationalism.Koen Slootmaeckers - 2019 - Theory and Society 48 (2):239-265.
    How are masculinity and nationalism intertwined? This question has received scant theoretical attention, and existing theories tend to focus on their shared ideals and are embedded in a heteronormative, homophobic, and patriarchal framework. Such views imply a static relationship between the two phenomena and are incompatible with the recent phenomenon of homonationalism and the incorporation of some homosexual bodies within the nation. Addressing this theoretical gap, this article develops a more holistic framework of the relationship between nationalism and masculinity. Drawing (...)
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  • Boundary mechanisms in adverts from Silesian Catholic periodicals from the second half of the 19th and early 20th centuries. [REVIEW]Małgorzata Haładewicz-Grzelak & Joanna Lubos-Kozieł - 2013 - Sign Systems Studies 41 (1):42-68.
    The paper provides an empirical study of semiotic mechanisms of culture. We apply the methodology developed by the Tartu-Moscow School of Semiotics, building also on the criteria of boundary-work dynamics to examine a collected corpus of adverts appearing in Silesian Catholic periodicals (in Germanand in Polish) from the second half of the 19th and early 20th centuries. We discuss the cultural implications of the differences and similarities in German and Polish ads and propose functional explanations of the results in terms (...)
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