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  1. " Muddy Eels"(Archilochus 189W).Paula da Cunha Correa - 2002 - Synthesis (la Plata) 9:81-90.
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  • Archilochus 222W and 39W: Allusion and Reception, Hesiod and Catullus.Shane Hawkins - 2019 - Philologus: Zeitschrift für Antike Literatur Und Ihre Rezeption 163 (1):16-46.
    This article is a contribution to our understanding of how Archilochean poetics may be situated in the longer poetic tradition. In examining two fragments that have received little attention, I hope to illustrate how Archilochus’ poetry both engaged with its predecessors and was in turn engaged by its successors. Fragment 222W employs a theme that was perhaps already conventional for Hesiod, in which the incompatibility of the sexes is implicated in the cycle of seasons, an idea that also seems relevant (...)
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  • Out-Foxing the Wolf-Walker: Lycambes as Performative Rival to Archilochus.Tom Hawkins - 2008 - Classical Antiquity 27 (1):93-114.
    Lycambes, the most famous of Archilochus' whipping boys, is everywhere upstaged in the surviving iambic texts and testimonia. This paper seeks to reconstruct something of Lycambes' voice and its role in the Archilochean tradition. I begin with a reconsideration of Archilochus' “first epode” and argue that Lycambes is styled as an older public rival to Archilochus who questions the role of the poet's iambos. The preliminary results of this section are then strengthened by drawing upon two relevant episodes in the (...)
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  • Musical instruments and the Paean in Archilochus.Paula Da Cunha Corrêa - 2009 - Synthesis (la Plata) 16:99-112.
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