By questioning the attribution of a primary role to the eyes as bearers of identity within traditional Western culture, this paper will problematize the agentivity performed by the lower mereology of the face, identified with the mouth-nose assemblage. In particular, the study will focus on the manipulation of such facial spatiality through the intervention of three “lower face” artifacts: the grill, the ball gag and the gas mask. This piece of work will examine their plastic and figurative dimensions in the (...) technological interaction with the facial organs. Furthermore, we will take into consideration the sociocultural context of wearability performed by the different bearers with the aim of grasping the identity shift that the artifacts trigger. The study, therefore, will organize the corpus as a sequence that starts inside the oral cavity where the grill is worn; then moves to a progressive exteriority with the ball gag that emerges from the mouth through the straps fastened around the head; eventually dealing with the exterior projection operated by the gas mask which by means of its filters portends beyond the anatomical face. Ultimately the three artifacts are presented as a threefold articulation of a liminal agency towards an expanded form of humanity including animality embedded within and without the space of meaning represented by the face. (shrink)

This paper studies Suetonius's depiction of the appearance of Emperors through what I call Bodily or Corporeal Ecphrasis. Suetonius's ecphrasis of the Emperor's body directs the readers' gaze over the corpus principis in a way that deconstructs the ontology of the princeps. I will show that Suetonius's construction of emperors' corpora includes an amalgamation of referents to heavenly and animal bodies that upsets a reader's ability to interpret these radically unique images through a purely human criterion.

A distinctive feature of the biographies of Suetonius is his methodical and detailed description of the physical appearances of the emperors. This feature was adopted by two fourth-century Latin writers, Ammianus Marcellinus and the anonymous author of the Historia Augusta. This study will explore how ancient theories of the relationship between appearance and character intersect with the physical descriptions of emperors the authors provide. These authors reveal themselves to be engaged with contemporary approaches to the question without being bound by (...) any one theory, and thus presuppose a readership for whom physiognomic questions were both interesting and debatable. The approaches of the authors to this minor feature in their work also offer broader insight into their biographical style and purpose. (shrink)

This article uses the evidence of the early Christian martyr acts to argue for the existence of a broader, provincial discourse on the importance of legal procedure in criminal trials in the Roman Empire. By focusing on moments of criminal confrontations, these texts not only attempted to explain and glorify the deaths of martyrs, but also sought to make sense of a process that was designed by the Roman state to be arbitrary and terrifying. In the course of their narratives, (...) the martyr acts articulate a distinctly provincial understanding of imperial judicial procedures. They politicize this understanding in ways consequential for current scholarly models of the relations between the imperial government and provincial society more broadly. (shrink)