This article sheds light upon the role of the audience in the construction and amendment of populist representative claims that in themselves strengthen representative-represented relationships and simultaneously strengthen ties between the represented who belong to different constituencies. I argue that changes in populist representative claims can be explained by studying the discursive relationship between a populist representative and the audience as a conversation in which both poles give and receive something. From this perspective, populist representative claims, I also argue, can (...) be understood as acts of bonding with the intended effect of constituting ‘the people,’ and inputs from the audience can be seen as conversational exercitives. Populist appeals therefore may change when the audience enacts new permissibility facts and signals to populist representatives that there is another way to strengthen relationships between several individuals belonging to otherwise-different constituencies. (shrink)

Gender and populism have been extensively theorized separately, but there has not been sufficient study of the way that gender undergirds populism, strengthening its diverse manifestations. Focusing on the cases of Vladimir Putin and Recep T. Erdoğan, we argue that their political performance allows them to project a right-wing populism that hides much of its political program in an ostentatious masculine posturing that has the virtue of being relatively malleable. This political masculinity allows them to position themselves at different points (...) in time as outsiders yet insiders, bad boys yet good fathers. In their early years Putin and Erdogan established themselves as transgressive outsiders who developed a profile of power by building up their masculine, working-class biographies. As their power became consolidated, they turned to a more paternal role, fostering a conservative gender order while attacking the masculinity of their opponents and casting them as outsiders. In this way over the years they have combined political performances that have both breached the conventional gender norms and also upheld and reinforced them. The result is a Janus-faced masculinity of outsiders-yet-insiders, bad-boys-yet-good-fathers, which establishes that the leader is both the same as other men and also different from them, standing above the citizenry, mediating and fostering a conservative political order. Understanding this gender performance also helps to explain the paradox of “electoral authoritarianism” (Levitsky and Way Journal of Democracy, 13(2), 51–65, 2002; Schedler 2006), demonstrating how performed political masculinity can support and connect the cult of a popularly elected leader with conservative social and political gender norms. (shrink)

This article re-examines current definitions of populism, which portray it as either a powerful corrective to or the nemesis of liberal democracy. It does so by exploring a crucial but often neglected dimension of populism: its redemptive character. Populism is here understood to function according to the logic of resentment, which involves both socio-political indignation at injustice and envy or ressentiment. Populism promises redemption through regaining possession: of a lower status, a wounded identity, a diminished or lost control. Highly moralized (...) images of the past – historical or archetypal – are mobilized by populist leaders to castigate the present and accelerate the urgency of change in it. The argument is illustrated with Caesar’s Column, a futuristic novel written by the Minnesota populist leader Ignatius Donnelly. The complex and ambivalent structure of this dystopian novel – a textual source for the Populist Party manifesto in the 1890s, which stands in contrast with agrarian populism as everyday utopia – enables us to move beyond the polarized positions dominating the current debate. Reading Caesar’s Column ultimately shows that populism can be both a corrective and a danger to democracy, but not for the reasons usually stated in the literature. (shrink)