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  1. Exploring the politics of visibility: Technology, digital representation, and the mediated workings of power.Brian Creech - 2020 - Semiotica 2020 (236-237):123-139.
    For the better part of the past decade, global social movements have drawn popular attention to the power of image production and acts of representation, particularly the ways ubiquitous cameras challenge the exercise of power This essay lays out a theoretical schema for interrogating a broader “politics of visibility” at work in the early twenty-first century, most readily apparent through the activities of smartphone-enabled and visually-savvy activists. As new media technologies have opened up new strategies of representation, these modes of (...)
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  • Carceral Pride: The Fusion of Police Imagery with LGBTI Rights.Emma K. Russell - 2018 - Feminist Legal Studies 26 (3):331-350.
    This paper reflects upon the adoption of Lesbian, Gay, Bisexual, Transgender and Intersex rights discourse and imagery in police public relations and problematises the construction of police as protectors and defenders of gay liberties and homonormative life. Building from a foundational conceptualisation of policing as a racial capitalist project, it analyses the phenomenon of police rainbow branding practiced in nominally public spaces, such as Pride parades, and online through news media and social networking sites. Drawing on critiques of queer liberalism (...)
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  • Docile Suffragettes? Resistance to Police Photography and the Possibility of Object–Subject Transformation.Linda Mulcahy - 2015 - Feminist Legal Studies 23 (1):79-99.
    This paper provides a revisionist account of the authority and power of the criminal mugshot. Dominant theories in the field have tended to focus on the ways in which mugshots have been used as a way of disciplining criminal bodies and rendering them docile. It is argued here that additional emphasis could usefully be placed on stories of resistance in which the monological production site of the prison or police station transforms into a dialogical site, in which the objects of (...)
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