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Experiences of art involve exercise of ordinary cognitive and perceptual capacities but in unique ways. These two features of experiences of art imply the mutual importance of aesthetics and cognitive science. Cognitive science provides empirical and theoretical analysis of the relevant cognitive capacities. Aesthetics thus does well to incorporate cognitive scientific research. Aesthetics also offers philosophical analysis of the uniqueness of the experience of art. Thus, cognitive science does well to incorporate the explanations of aesthetics. This paper explores this general (...) |
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Perceptual similarity was examined in a remote culture and compared to that of Western observers. Similarity was assessed in a relative size judgement task and in an odd-one-out detection task. Thus, we examined the effects of culture on what might be considered low-level visual abilities. For both tasks, we found that performance was affected by stimuli that were culturally relevant to the tasks. In Experiment 1, we showed that the use of cow stimuli instead of the standard circles increased illusory (...) |
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In this comprehensive work on theories of rationality, Leslie Allan builds on the seminal insights of Imre Lakatos. Allan begins by critically reviewing Lakatos' theory of rationality (MSRP) and his meta-theory of rationality (MHRP) and suggesting improvements to his scheme. Allan's main task is developing a theory of rationality that avoids Lakatos' Achilles' heel; the presupposition that science is a rational enterprise. To achieve this, he attempts to draw out from the general demands of an objectivist epistemology the various criteria (...) |
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Drawing on insights from Imre Lakatos' seminal work on theories of rationality, Leslie Allan develops seven criteria for rational theory choice that avoid presuming the rationality of the scientific enterprise. He shows how his axioms of rationality follow from the general demands of an objectivist epistemology. Allan concludes by considering two weighty objections to his framework. |
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In this article, I demonstrate fundamental weaknesses in the ability of critical understandings of race to produce reliable knowledge of how social actors use social comparisons as a way to align self with ingroup. I trace these weaknesses to two sources: The first is relying on social status as an explanation for race-based assessments, ingroup motivations, and social constructions of otherness. This is opposed to leaning on assessments grounded in social psychological research that links properties of human cognition to the (...) |
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