The present paper focuses on some aspects of the Neoplatonist literary-metaphysical theory, which has clearly been expressed in the anony­mous Prolegomena to Plato’s philosophy and further confirmed in Proclus’ exegesis of the Timaeus. Thus, this contribution, examines and compares several passages from the Prolegomena and from Proclus’ Commentary on the Timaeus with a view to showing that it is legiti­mate to speak of a certain cosmogony of the Platonic dialogue that is analogous to that of the macrocosm. Moreover, the analogy (...) between macrocosm and microcosm makes it possible to further investigate the similarity between the λόγος-ζῷον of the Demiurge and that of Timaeus, on the one hand, and the reality which the λόγος expresses, on the other. This similarity turns out to be both structural/morphological and content-related/semantic. Thus, by combining the natural and theo­logical science, the analysis of the “generation” of the macrocosm and microcosm brings out the strongly analogical nature of Plato’s dialogues, which is particularly visible in the Timaeus. (shrink)

In this paper I focus on Proclus’ concept of the instrumental cause in his commentary on the Timaeus (In Tim.). Unlike earlier Neoplatonists who do not make much use of this type of causality, Proclus relates the instrumental cause to the hypostasis of nature (φύσις). The Demiurge uses nature as an instrument in his ordering and creation of the cosmos. How does Proclus arrive at this understanding of nature? I argue that the definition of nature as an instrumental cause is (...) in part based on his critical reception of Aristotle who identifies nature with the formal, efficient, and/or final cause. That is, Proclus did not develop his views on the causality of nature only by looking at the Timaeus (and other Platonic sources), but also by engaging with Aristotle’s rich – and, to a certain extent, authoritative – reflections on this issue. (shrink)