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I'm so Angry I Made a Sign

Critical Inquiry 39 (1):56-88 (2012)

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  1. Political Disobedience.Bernard E. Harcourt - 2012 - Critical Inquiry 39 (1):33-55.
    Occupy Wall Street is best understood, I would suggest, as a new form of political as opposed to civil disobedience that fundamentally rejects the political and ideological landscape that has dominated our collective imagination in this country since before the cold war. Civil disobedience accepts the legitimacy of the political structure and of our political institutions but resists the moral authority of the resulting laws. It is “civil” in its disobedience—civil in the etymological sense of taking place within a shared (...)
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  • Preface to “Occupy: Three Inquiries in Disobedience”.W. J. T. Mitchell - 2012 - Critical Inquiry 39 (1):1-7.
    If journalism is the first draft of history, these three essays might be described as a stab at a second draft. It is an attempt by three scholars from different disciplines, with sharply contrasting methodologies, to provide an account of the protest movements of 2011, from the Arab Spring to Occupy Wall Street. We deploy the perspectives of ethnography, political thought, and iconology in an effort to produce a multidimensional picture of this momentous year of revolutions, uprisings, mass demonstrations, and—most (...)
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  • Objetos desobedientes : escraches y la lucha por la vivienda en la PAH.Maka Suárez - 2019 - Arbor 195 (793):519.
    Este artículo describe la cultura material de la campaña de escraches, un tipo específico de activismo performativo implementado por la Plataforma de Afectados por la Hipoteca (PAH) con el fin de presionar a la clase política para cambiar la ley hipotecaria española. A partir del análisis de los círculos gigantes de cartón utilizados por la PAH en los escraches, se estudia cómo estos objetos tienen la capacidad de replantear el espacio y el tiempo de la política. A partir del material (...)
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  • Image, Space, Revolution: The Arts of Occupation.William Mitchell - 2012 - Critical Inquiry 39 (1):8-32.
    Is there a dominant global image—call it a world picture—that links the Occupy movement to the Arab Spring? Or is there any single image that captures and perhaps even motivated the widely noticed synergy and infectious mimicry between Tahrir Square and Zuccotti Park?
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  • Ruin and Organization Studies.Christian J. L. De Cock & Damian O'Doherty - unknown
    In this paper we offer a preliminary study of the various ways in which ‘ruin’ has significance for organization studies. One important motif associated with both modern and romantic treatments of ruins concerns the revelatory impressions they make. In this respect the tradition of ruin writing will talk of their ‘beauty’, their ‘strangeness’ or their capacity to ‘intimidate’, which somehow never fails to strike a responsive nerve in us. In order to attend to this elusive phenomenon we must necessarily breach (...)
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