This paper explores the nature, development and influence of the first English account of absolute time, put forward in the mid-seventeenth century by the ‘Cambridge Platonist’ Henry More. Against claims in the literature that More does not have an account of time, this paper sets out More's evolving account and shows that it reveals the lasting influence of Plotinus. Further, this paper argues that More developed his views on time in response to his adoption of Descartes' vortex cosmology and cosmogony, (...) providing new evidence of More's wider project to absorb Cartesian natural philosophy into his Platonic metaphysics. Finally, this paper argues that More should be added to the list of sources that later English thinkers – including Newton and Samuel Clarke – drew on in constructing their absolute accounts of time. (shrink)

: This paper focuses on Princess Elisabeth of Bohemia's philosophical views as exhibited in her early correspondence with René Descartes. Elisabeth's criticisms of Descartes's interactionism as well as her solution to the problem of mind-body interaction are examined in detail. The aim here is to develop a richer picture of Elisabeth as a philosophical thinker and to dispel the myth that she is simply a Cartesian muse.

ABSTRACTThis paper seeks to shed light on the often-overlooked account of divine and human freedom presented by Anne Conway in her Principles of the Most Ancient Modern Philosophy, partly through a...

In chapter IX of the Principles, Anne Conway claims that her metaphysics is diametrically opposed to those of Descartes and Spinoza. Scholars have analyzed her rejection of Cartesianism, but not her critique of Spinoza. This paper proposes that two central points of Conway’s metaphysics can be understood as direct responses to Spinoza: (1) the relation between God, Christ, and the creatures in the tripartite division of being, and (2) the individuation of beings in the lowest species. I will argue that (...) Conway, in criticizing Spinoza’s identification between God and nature, defends a paradoxical monism, and that her concept of individuation is a reductio ad absurdum of Spinoza’s criterion of identity in the individuation of finite modes. (shrink)

The ArgumentRecent historiography of the Scientific Revolution has challenged the assumption that the achievements of seventeenth-century natural philosophy can easily be described as the ‘mechanization of the world-picture.’ That assumption licensed a story which took mechanization as self-evidently progressive and so in no need of further historical analysis. The clock-work world was triumphant and inevitably so. However, a close examination of one key group of natural philosophers working in England during the 1670s shows that their program necessarily incorporated souls and (...) spirits, attractions and congruities, within both their ontology and their epistemology. Any natural philosophical strategy which excluded spirits and sympathies from its world was condemned as tending to subversion and irreligion. This examination shows that the term ‘mechanical philosophy’ was a category given its meanings within local contexts and carries no universal sense separate from that accomplished by these natural philosophers. It also shows how the experimental praxis was compelled to treat souls and spirits, to produce them through experimental labor, and then to extend these experimentally developed entities throughout the cosmos, both social and natural. The development of mechanical philosophy cannot be used to explain the cognitive and social structure of this program, nor its success: instead, the historical setting of experimental work shows how a philosophy of matter and spirit was deliberately constructed by the end of the seventeenth century. (shrink)

La filosofía de Anne Finch, Viscondesa de Conway ha sido estudiada desde la perspectiva del papel crítico de su monismo vitalista frente a la filosofía de sus contemporáneos, así como en la valoración de su papel en la historia de la filosofía. No obstante, la atención que han recibido sus tesis epistemológicas ha sido escasa en razón del carácter fragmentario de sus Principios de la más antigua y moderna filosofía (1690). El presente artículo parte de la idea de que es (...) posible sistematizar la filosofía de esta autora moderna, lo cual, implica la reconstrucción de sus tesis epistemológicas a través de los conceptos de percepción sensible e imaginación. Lo anterior, nos permitirá no sólo comprender estas tesis bajo la lógica de su correlación con la ontología y la filosofía moral de Conway, también permite acceder a una propuesta original alterna a los modelos mecanicistas imperantes en la época. (shrink)