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Switch to: References
Citations of:
The Circulation of Literary Texts in the Roman World
[author unknown]
Classical Quarterly 37 (1):213-223 (1987)
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Discarding the unreliable late evidence for the Library of Alexandria in the Hellenistic period, I establish a new history of libraries and books on more secure primary sources. Beginning in the second century BCE at various places across the eastern Mediterranean, rich, powerful men began to sponsor collections of books. These new public displays of aristocratic and royal munificence so transcended earlier holdings of books—which had been small, vocational, and private—that in an important sense they constitute the invention of the (...) |
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This paper explores how gender can operate as a disguise for class in an examination of the self-sacrifice of the Maiden in Euripides' Children of Herakles. In Part I, I discuss the role of human sacrifice in terms of its radical potential to transform society and the role of class struggle in Athens. In Part II, I argue that the representation of women was intimately connected with the social and political life of the polis. In a discussion of iconography, the (...) |
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A familiar image from the Roman world is a Pompeian portrait of a man and woman sometimes identified as Terentius Neo and his wife. He has a papyrus roll under his chin, while she looks out with a writing tablet in one hand, a stylus held to her lips in the other. The message of the attributes presented would seem to be: ‘ We can and do read and write’. But how should the message be interpreted? To judge from the (...) |
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A familiar image from the Roman world is a Pompeian portrait of a man and woman sometimes identified as Terentius Neo and his wife. He has a papyrus roll under his chin, while she looks out with a writing tablet in one hand, a stylus held to her lips in the other. The message of the attributes presented would seem to be: ‘ We can and do read and write’. But how should the message be interpreted? To judge from the (...) |
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This article investigates the interplay of agriculture and writing in the elder Cato's aristocratic self-fashioning . I argue that the De Agricultura represents Cato and his contemporaries as individual, small-plot farmers by making explicit the agricultural inflection of a more general masterly extensibility, i.e., that slaves were prosthetic tools with which owners accomplished various tasks, a move that in turn reveals the ubiquitous, assiduous “labor” of the individual owner. The preface's valorization of small-plot farmers, past and present, contextualizes the owner's (...) |
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This article revisits a famous staple of the Vergilian tradition, Servius's heavily contested scholion on the actress Volumnia Cytheris's theatrical rendition of Vergil's sixth Eclogue. By shifting the focus of inquiry from the strictly historical question ‘ did it happen?’ it cuts through, identifies and disentangles a nexus of prejudices which have led to the devaluing of Servius's information. The sidelining or dismissal of this piece of evidence, I argue, has more to teach us about our own culturally entrenched and (...) |
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At some point before the late fifth centurya.d.an unidentified writer compiled and affixed to each book of Dio'sRoman Historyan index, most notably comprising a table of contents and an excerpt of the consularfasti. Of dubious provenance these paratexts have played a peripheral role in the editorial history of the work. Bekker and Dindorf, with somewhat puritanical zeal, removed them from the main text of their editions of theRoman Historyin the belief that they were not by Dio's hand. Conversely, the stereotyped (...) |
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In this essay I discuss Cicero's practice of submitting his texts to others for comment, arguing that the mutual reading and correction of friends' works played an important social function. By discussing what would make a text better, Cicero and his collaborators worked to forge and maintain social ties. In addition, I pursue an important corollary: for a text to provoke this activity, it must present itself as unfinished or in progress. Cicero was aware of this corollary, and in the (...) |
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According to many recent interpretations of Catullus 101, the ritual performance it describes serves primarily as a foil, highlighting the greater expressiveness and communicative power of the poem itself. I argue instead for using the complexities of Roman funerary ritual as a model for understanding the poem's ambiguities. As funerary offerings at once establish a bond between family members and the dead and affirm a distinction between them that allows the survivors to rejoin the society of the living, so the (...) |
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This paper will examine intertextual references between the Dialogus of Tacitus and the letters of Pliny, in particular those regarding boar hunting. It will argue that there are clues in the letters of Pliny which can help us to understand the relationship between these two writers as well as the tone and purpose of the Dialogus. By studying Pliny's letters to Tacitus on hunting , one can see the specific reference to boars as an allusion to Marcus Aper, the chief (...) |
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