The debate between Zhuangzi and Huizi has profound epistemological significance, however, the main body of their debate comprises logical inferences and refutations. Therefore, this paper mainly focuses on the logical aspects of the debate. Some scholars have suggested that Huizi’s argument is self-contradictory; however, in fact, based on such evaluations of Huizi’s argument, we can conclude that Zhuangzi’s logic is also self-contradictory. By utilizing modern logical analysis tools, this study reveals what and how the propositions and inferences contained in the (...) language of the debate are articulated accurately and strictly. Moreover, by elaborating on the implicit premises omitted by Zhuangzi and Huizi, the actual logical process of the debate can be restored, and the logical fallacy of clandestine change of argumentative issue are revealed. This study presents clear modern logic analysis of the debate; it can also provide a more reliable logical basis for the discussions of Zhuangzi and Huizi’s related philosophical thoughts. (shrink)

The “happy fish” passage concluding the “Autumn Floods” chapter of the Classical Chinese text known as the Zhuangzi has traditionally been seen to advance a form of relativism which precludes objectivity. My aim in this paper is to question this view with close reference to the passage itself. I further argue that the central concern of the two philosophical personae in the passage – Zhuangzi and Huizi – is not with the epistemic standards of human judgements (the established view since (...) Hansen, “The Relatively Happy Fish”), but with the more basic problem of species-specific perspectives. On my reading, Zhuangzi’s emphatic positionality in the passage – on the dam, accompanied by his friend Huizi – plausibly suggests a circumspect reflection on the limitedness of human knowledge. It is significant that Zhuangzi’s knowledge of fish happiness is avowedly from a certain place, and not absolute. But there is still a sense in which this view is objective: namely, insofar as it adequately accounts for an inherently human perspective on the world. I call this modest form of relativism ‘Species Relativism’, which, crucially, leaves room for objectivity, even though a fully objective (i.e. absolute) view of the world is not accessible to humans. (shrink)

The concept of the cheng xin in the Zhuangzi claims that the cognitive function of the heart-mind is not over and above its affective states and in charge of them in developing and controlling virtue, as assumed by the Confucians and others. This joint cognitive and affective nature of the heart-mind denies ethical and epistemic certainty. Individual perspectives are limited given habits of thought, attitudes, personal orientations and particular cognitive/affective experiences. Nevertheless, the heart-mind has a vast imaginative capacity that allows (...) the open-endedness and broadening of perspectives. (shrink)

This paper argues that correlative thinking, a fundamental aspect of Chinese thought often distinguished from rational thinking, is rooted in our situated bodily experiences, constituting a unique mode of sensemaking. It performs a comparative analysis between Zhuangzi's Fish Parable and Merleau‐Ponty's philosophy of embodied perception, focusing on the self‐attunement in our embodied experience andDao, which remains invisible but gradually reveals its presence as the parable unfolds. The paper illuminates the embodied nature of correlative thinking by exposing the intricate interplay between (...) the self and others, as well as the self and its lived environment. This analysis underscores the reciprocal relationship betweenDaoand correlative thinking:Daoacts as the origin of correlative thinking, while correlative thinking, in turn, unveils the presence ofDao. This analysis could enrich our understanding of the interplay between the self, others, and the world they inhabit. (shrink)

ABSTRACT In the English language contemporary literature, there are mainly two philosophical approaches to interpretation of the Zhuangzi’s Happy Fish debate. The two approaches to the famous passage are the logical, which focuses on analysis, and the non-analytic, which focuses on context. The approaches are in tension with one another since one implies that the other is wrong. This paper suggests that the view that Zhuangzi holds an externalist view of justification according to the debate (here abbreviated as ZE) reconciles (...) the approaches. ZE is the interpretation that says that in the debate, Zhuangzi is an externalist, in particular, a process reliabilist, because he takes sense perception as means to attaining knowledge. ZE reconciles the two approaches in that in each of them ZE is implicit. Ultimately, this paper not only offers a perspective about the two approaches, it also offers a view about the debate. (shrink)

Dipping in Chinese waterspulled and pushed by Mowe see how Zhuangzi caught uslike the happy fish we knowwe follow their flowwords matching as they sor.

The happy fish episode from the outer chapters of the Zhuangzi poses enormous difficulty for interpreters. While it may appear to surprisingly resemble the dialectic in Western philosophy, any attempt to analyse it in terms of the patterns of inference familiar to the West is often frustrated by the ostensible queerness that defies such treatment. The following examination of the dialogue in the episode is intended to address the difficulty and to provide a reasoned explanation for both the surface resemblance (...) and apparent queerness. I suggest that the dialogue becomes perfectly intelligible, if it is read against the backdrop of the disputations practiced in ancient China. My contention is that the real purpose of the dialogue is to expose the fundamental unreliability of the logic of the disputers by means of the logic itself. (shrink)

This article argues for an alternative interpretation of the happy fish scene in The Zhuangzi: the fish are not happy. The fish undergo an unpleasant experience while the philosophers debate animatedly over the joy of the fish. The dramatization of the fish scene compels us to contemplate anthropocentrism and species communication. Moreover, the contrast between the fish-bird becoming and the subsequent human narrations reinforces the anthropocentric usurpation of nonhuman agency. To get away from anthropocentrism, Zhuangzi proposes a posthumanist approach to (...) deal with species communication in three interconnected stages: to acknowledge the limits of human cognition, to forget anthropocentric prejudice, and to de-obscure childlike innocence. (shrink)