Conventional wisdom situates the historical origins of social movements in the eighteenth and nineteenth centuries by attributing their emergence to the rise of democracy, capitalism, and the nation-state. In this article, I challenge this scholarly orthodoxy by presenting primary sources and historical scholarship that demonstrate how the German Peasants’ Revolt of 1524 and 1525 meets Charles Tilly’s criteria for a modern social movement. By challenging the standard narrative of social movements as a product of modernity, this article breaks with the (...) dichotomy between modern and premodern social movements and encourages us to rethink the concept of social movements. (shrink)

Axel Honneth’s philosophical reflections always had significant historical dimensions, but it is only recently, in Recognition. A Chapter in the History of European Ideas, that he has attended to the history of recognition as a concept. This essay examines the cogency and the implications of this turn to intellectual history in the theory of recognition. The first section summarises the main historical claims put forward by Honneth. Section two raises critical doubts regarding three aspects of his narrative: the cultural contexts (...) that are said to have influenced particular conceptions of recognition; the conceptions of recognition that are supposed to be tied to national cultures; and the method of linking particular meanings of recognition to national cultures. The third section broadens the scope and attempts to show why this turn to intellectual history, despite some shortcomings, raises tantalising questions for recognition theory, and beyond it, for critical theory. (shrink)

The metaphor of “repertoire” is increasingly used in the study of contention to convey the fact that people act collectively through a limited set of cultural routines. Yet despite its broad adoption, the term is loosely defined and rarely subject to empirical verification. This has led to unfruitful scholarly disputes, with most perspectives assuming that change in repertoires is independent from how actors perform them. Drawing a parallel between the dynamics of repertoire performance and jazz improvisation, I propose a pragmatist (...) definition of repertoires, understood as relational sets of collective practices that become routinized as habit-sets and become a baseline for innovation when actors face puzzling situations. I then provide a theoretical model for analyzing change in contentious repertoires, which relies on the study of the co-constitutive relation between tactical affordances, actors’ strategies and identities, and contexts. I illustrate this model with three secondary cases of unexpected tactical innovation. (shrink)

We describe some of the ways that the field of content analysis is being transformed in an Era of Big Data. We argue that content analysis, from its beginning, has been concerned with extracting the main meanings of a text and mapping those meanings onto the space of a textual corpus. In contrast, we suggest that the emergence of new styles of text mining tools is creating an opportunity to develop a different kind of content analysis that we describe as (...) a computational hermeneutics. Here the goal is to go beyond a mapping of the main meaning of a text to mimic the kinds of questions and concerns that have traditionally been the focus of a hermeneutically grounded close reading, a reading that focuses on what Kenneth Burke described as the poetic meanings of a text. We illustrate this approach by referring to our own work concerning the rhetorical character of US National Security Strategy documents. (shrink)