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Many artists, art critics, and poets suggest that an aesthetic appreciation of artworks may modify our perception of the world, including quotidian things and scenes. I call this Art-to-World, AtW. Focusing on visual artworks, in this paper I articulate an empirically-informed account of AtW that is based on content related views of aesthetic experience, and on Goodman’s and Elgin’s concept of exemplification. An aesthetic encounter with artworks demands paying attention to its aesthetic, expressive, or design properties that realize its purpose. (...) |
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Following up on its predecessor in this Journal, the article defends philosophy as a guide to making and analyzing art; identifies Cubist solutions to the Prometheus Challenge, including a novel analysis of Picasso’s Les Demoiselles d’Avignon; defines a new concept of aesthetic attitude; proves the compatibility of Prometheus Challenge artworks with logic; and explains why Plato would have welcomed such artworks in his ideal state. |
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Immanuel Kant and his work occupied a space at the crossroads of several important movements in philosophy. In this essay, I look at two important crossroads in aesthetics. First, the subjective turn in aesthetics, when the focus on aesthetic objects was rebalanced with the focus on the subject’s experience of such objects, the weight shifting from the objective to the subjective. Second, after many years and many theories advancing the view that universality of judgment could be achieved, at least in (...) |
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Qualia, Sensa and absolute Processes. In this paper, the development of Sellars' thoughts concerning the mind-body-problem is reconstructed. Starting from an elaborate critique of the identity theory, Sellars claims that the ultimate 'Scientific Image' must contain a concept of sensa as the bearers of certain properties of manifest sense impressions. In his later work Sellars' notion of absolute processes leads him to a new monism and thus to an extended critique of rival theories. It is argued that these Sellarsian thoughts (...) |
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Qualia, Sensa and absolute Processes. In this paper, the development of Sellars' thoughts concerning the mind-body-problem is reconstructed. Starting from an elaborate critique of the identity theory, Sellars claims that the ultimate 'Scientific Image' must contain a concept of sensa as the bearers of certain properties of manifest sense impressions. In his later work Sellars' notion of absolute processes leads him to a new monism and thus to an extended critique of rival theories. It is argued that these Sellarsian thoughts (...) |
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