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Music in Renaissance Magic: Toward a Historiography of Others

Gary Tomlinson

University of Chicago Press (1993)

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'I Wish My Speech Were Like a Loadstone’: Cavendish on Love and Self-Love.Julia Borcherding - 2021 - Proceedings of the Aristotelian Society 121 (3):381-409.details This paper examines the surprisingly central role of sympathetic love within Margaret Cavendish’s philosophy. It shows that such love fulfils a range of metaphysical functions, and highlight an important shift in Cavendish’s account vis-a-vis earlier conceptions: sympathetic love is no longer given an emanative or mechanistic explanation, but is naturalized as an active emotion. It furthers investigate to what extent Cavendish’s account reveals a rift between the realm of nature and the realm of human sociability, and whether this rift really (...) Download Export citation Bookmark 2 citations
Sobre la hermenéutica origen, historia Y su relación con el arte Y la música.Pilar Jovanna Holguín Tovar & Manuel Oswaldo Ávila Vásquez - 2021 - Eidos: Revista de Filosofía de la Universidad Del Norte 36:287-315.details RESUMEN Nuestro objetivo es explicitar la historia de la hermenéutica desde sus orígenes míticos hasta el modo como esta fue acogida en el ámbito de la música como método de análisis con el fin de revelar el contenido y el significado de las obras. Se diserta sobre los diferentes ámbitos asignados al término "hermenéutica" en la filosofía y las artes. Para llevar a cabo estas consideraciones, en la primera parte se expone el origen mítico, se realiza una sucinta historia del (...) Download Export citation Bookmark
Pythagorean Pipe Dreams? Vincenzo Galilei, Marin Mersenne, and the Pneumatic Mysteries of the Pipe Organ.Brandon Konoval - 2018 - Perspectives on Science 26 (1):1-51.details Sometime between 1589 and 1591, a momentous discovery was announced in Florence; or, at least, a discovery thought to be momentous by its promoter: "The true form of the octave is the octuple [ratio 8:1] and not the duple [2:1]".1 Thus taken out of context, we might be forgiven if we failed either to share the author's enthusiasm or to recognize the importance of his finding. But the fact remains that, sadly, nobody else did either: not only did his contemporaries (...) Download Export citation Bookmark
Star music: the ancient idea of cosmic music as a philosophical paradox.E. Heyning - manuscriptdetails This thesis regards the ancient Pythagorean-Platonic idea of heavenly harmony as a philosophical paradox: stars are silent, music is not. The idea of ‘star music’ contains several potential opposites, including imagination and sense perception, the temporal and the eternal, transcendence and theophany, and others. The idea of ‘star music’ as a paradox can become a gateway to a different understanding of the universe, and a vehicle for a shift to a new – and yet very ancient – form of consciousness. (...) Download Export citation Bookmark

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