“What are you prepared to do to win?” This is a question that any serious competitor will at one time or another have to consider. The answer that one is inclined to make, I shall argue, is revealing of the deeper character of the individual participant in sport as both physical competitor and moral person. To that end, I examine one of the classic responses to the question, gamesmanship, which can be characterised as an attempt to win one game by (...) playing another. I contend that gamesmanship is a deliberate strategy of competition that has certain paradoxical outcomes; while it may produce an enhanced competitive environment that calls forth superior performances from participants, its more aggravated manifestations are in the long term athletically self-destructive for those who rely on them as a competitive device, and argue the presence of more profound underlying moral failings as well. (shrink)

The article is intended to reveal important similarities between fiction and sport. I build on Jonathan Gottschall’s discussion in The Storytelling Animal: How Stories Make Us Human by celebrating the significance of stories and their ‘witchy power’ and by examining factors that demonstrate similarities between fiction and sport. I suggest that an unmistakable semantic, structural, and cultural kinship exists between the two. This argument requires a discussion of play theory, play resources and constitutive rules, the semantic power of problems and (...) the uncertainty they produce, and the role of ‘frames’ in bringing problems to life. I conclude by noting the unique frame capabilities of ‘the big game’ and zero-sum dichotomous sporting motifs. (shrink)

The main aim of this article is to reconstruct and comment on Bernard Suits’ argument concerning the paradoxicality of the perfectly played game and explain how the argument might contribute to the game vs. performance distinction. The argument was mentioned by Suits in ‘Tricky Triad: Games, Play and Sport’ in the course of argumentation for the distinction between games and performances but it has not been presented in any of Suits’ works published during his lifetime. However, Suits’ fonds deposited in (...) the Special Collections and Archive of the University of Waterloo contains two texts that were nevertheless meant for publication: ‘A Perfectly Played Game’ (recently published as Appendix III to Suits’ Return of the Grasshopper) and unpublished ‘The Search for a Perfectly Fair Game’. The latter is a modified version of the former; there is an overlapping core in both texts, but there are also some essential differences between them. To provide a formula capable of embracing Suits’ ideas from both texts and remove the tension between the ideas of a perfectly played and perfectly fair game, I introduce the concept of a perfect game. (shrink)

This essay argues that defences of strategic fouling in sport are enriched and supported by better recognizing the role of play in sport. A common characteristic of play is its disengagement from the everyday, in particular its moral disengagement. If sport in its best manifestations is a species of play, then we should expect to find some moral disengagement there. And indeed we do in a variety of ways. Strategic fouling affords a useful example to illustrate and support this claim (...) and to examine the limits of that sort of disengagement. It is argued that while strategic fouling is morally problematic, it can be a sort of playful ‘competitive shenanigan’ that should be tolerated at times for the way it adds to the challenge and drama of sport. This allows us to better recognize the complexity and depth of sport and the way it reflects fundamental human values. Like everyday life, sport challenges us to weigh morality, perfection, and play against each other in ways that give each sphere of value its due and that contribute to rewarding and meaningful activities and lives. (shrink)

In this essay, I argue that the time is right in the philosophy of sport to follow the lead of systems thinking and emphasize the contextual embeddedness of sport, not its distinctive characteristics, least of all any claims for metaphysical independence. Accordingly, I analyze similarities between two cultural conventions—namely, literature and games—through the lens of evolution. I argue that common roots can be observed in games and fiction when looking at them structurally, semantically, and socially. I suggest that both games (...) and fictional storytelling were adaptive in similar ways and that both preceded what is arguably the capstone cultural achievement of formal language. (shrink)

In the first part of this paper, I argue that philosophers of sport have mistakenly privileged a specific psychology and purpose in their definitions of competition. The result of this mistake has been that philosophers of sport make generalisations about competition as such which in fact only hold for some competitions. In the second and third parts of the paper, I articulate an alternative approach: rather than search for a single psychology and purpose that underlies all competition, I argue that (...) we should begin by acknowledging four distinctly different competitive formats, and only then enquire as to which psychologies and purposes are more or less appropriate to each format. This method allows us to capture the richness and diversity of competition, and helps to ensure that we do not confuse part and whole when defining it. (shrink)

In this paper, we argue that a rich phenomenological description of ?sweet tension? is an important step to understanding how and why sport is a meaningful human endeavour. We introduce the phenomenological concepts of intersubjectivity and horizon and elaborate how they inform the study and understanding of human experience. In the process, we establish that intersubjectivity is always embodied, developing and ethically committed. Likewise, we establish that our horizons are experienced from an embodied, developing and ethically committed perspective that serves (...) as the possibility for new intersubjective engagement. What follows is a discussion of the explanatory role of intersubjectivity and horizon in elucidating experiences of sweet tension in and through sport. The phenomenological account of sweet tension provides insights into the significance of our sporting experiences. Indeed, taking phenomenology seriously represents a commitment to descriptively elucidate what makes such experiences of sport significant and why we long for them. Recognising that sweet tension is a form of intersubjective horizon opens up new avenues for addressing ethical issues in sport as well as in crafting well-balanced games. (shrink)

(2010). On the Value and Meaning of Football: Recent Philosophical Perspectives in Latin America. Journal of the Philosophy of Sport: Vol. 37, No. 1, pp. 69-87.

This paper examines footraces that are paced and unpaced, and runners who are pre-arranged, designated pacers and those who are not. Although pacesetting is commonplace in footraces today, the practice challenges our conception of sport competition, the nature of competitors and the meaning of records. For example, Bale calls paced races as ‘staged experiments’ to set world records and argues that pacers were crucial in the running career of Roger Bannister. In 2011, the International Association of Athletics Federation banned women’s (...) world records in mixed gender running events, like major marathons, because women were paced by male runners. By examining these cases and others, the authors here will claim paced footraces are qualitatively different than unpaced competitions, pacers introduce peculiar motives and intentions as competitors, women should not be denied opportunities to excel and perform at their very best, and the 2011 IAAF policy is unjustified. (shrink)