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Electrodermal activity in cognitive neuroscience: neuroanatomical and neuropsychological correlates

In Richard D. R. Lane, L. Nadel, G. L. Ahern, J. Allen & Alfred W. Kaszniak (eds.), Cognitive Neuroscience of Emotion. Oxford University Press. pp. 192--224 (2000)

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  1. Emotional responses to music: The need to consider underlying mechanisms.Patrik N. Juslin & Daniel Västfjäll - 2008 - Behavioral and Brain Sciences 31 (5):559-575.
    Research indicates that people value music primarily because of the emotions it evokes. Yet, the notion of musical emotions remains controversial, and researchers have so far been unable to offer a satisfactory account of such emotions. We argue that the study of musical emotions has suffered from a neglect of underlying mechanisms. Specifically, researchers have studied musical emotions without regard to how they were evoked, or have assumed that the emotions must be based on the mechanism for emotion induction, a (...)
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  • Multiple Arousal Theory and Daily-Life Electrodermal Activity Asymmetry.Rosalind W. Picard, Szymon Fedor & Yadid Ayzenberg - 2016 - Emotion Review 8 (1):62-75.
    Using “big data” from sensors worn continuously outside the lab, researchers have observed patterns of objective physiology that challenge some of the long-standing theoretical concepts of emotion and its measurement. One challenge is that emotional arousal, when measured as sympathetic nervous system activation through electrodermal activity, can sometimes differ significantly across the two halves of the upper body. We show that traditional measures on only one side may lead to misjudgment of arousal. This article presents daily life and controlled study (...)
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  • Music evoked emotions are different–more often aesthetic than utilitarian.Klaus Scherer & Marcel Zentner - 2008 - Behavioral and Brain Sciences 31 (5):595-596.
    We disagree with Juslin & Vll's (J&V's) thesis that music-evoked emotions are indistinguishable from other emotions in both their nature and underlying mechanisms and that music just induces some emotions more frequently than others. Empirical evidence suggests that frequency differences reflect the specific nature of music-evoked emotions: aesthetic and reactive rather than utilitarian and proactive. Additional mechanisms and determinants are suggested as predictors of emotions triggered by music.
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  • Kardiosensibilität, Emotionsverarbeitung und Verhalten.Beate Maria Herbert - unknown
    This work "cardiosensitivity, emotion processing and behavior" is concerned with the relevance of interoceptive sensitivity for emotion processing and behavioral control. The first part of the monograph elaborately outlines theoretical models underscoring the importance of somatic markers and bodily signals for feelings, emotion, decision making and behavior. Ongoing insights of emotion research and neuroanatomic fundamentals of emotion processing and visceroception are illustrated based on current neuroscientific results. In the second part of the work these models and findings provide a basis (...)
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