I aim to show that, contrary to standard deflationary or eliminativist theories of the self, we can argue from the phenomenology of pre-reflective self-awareness for the thesis that subjects of experience are substances. The phenomenological datum of subjectivity points to a specific metaphysical structure of our experience, that is, towards the substance view rather than the bundle or the minimal self view. Drawing on modern philosophical accounts of pre-reflective self-awareness, mineness and (self-) acquaintance, I will argue that a subject is (...) aware of being the one individual who has many experiences and that it is revealed to the subject that it is the bearer of experiences and their unifier. The subject is present in pre-reflective awareness and known as the subject of experiences, and even this minimal self-awareness gives us reason to favour the substance view. Thus, one can demonstrate how the debates on the phenomenology of pre-reflective self-awareness and the metaphysics of selfhood intersect. (shrink)

The aim of this article is to clarify the content of the concept “person” as it figures in philosophical debates about personhood and personal identity. In order to do so, I will look at both specific philosophical problems that ask for a clear definition of this notion, as well as at the history of this concept’s formation, and try to motivate the specific assumptions that are tightly connected to it.

From US Supreme Court Justice Louis Brandeis’s 1933 judgement in Louis K Liggett Co v Lee to Matt Wuerker’s satirical cartoon “Corpenstein”, the use of Frankenstein’s monster as a metaphor for the modern corporation has been a common practice. This paper seeks to unpack and extend explicitly this metaphorical register via a recent filmic and graphic interpretation of Mary Shelley’s Frankenstein myth. Whilst Frankenstein has been read as an allegorical critique of rights—Victor Frankenstein’s creation of a monstrous body, reflecting the (...) figurative construction of a body by rights discourse—the metaphoric notion of reanimating a ‘soulless corpse’ resonates with Edward’s Thurlow’s description of the corporation as having ‘no soul to damn’. By exploring the figurative and optical representations of this process of reanimating the body in Scott Beattie’s film I, Frankenstein and Kevin Grevioux’s companion graphic novel I, Frankenstein: Genesis, I would like to extend this metaphoric register, by examining the theological origin and nature of the corporate form. This theology is explicitly referenced in the film and graphic novel via the battle between Gargoyles and Demons, which dominates the plot and backstory. The role of Frankenstein’s monster—now called Adam—however, is about enabling the reanimation of thousands of corpses without souls for possession by the demon hoard headed by Prince Naberius, who in his alternative persona Charles Wessex, controls the Wessex Institute and Wessex Industries. This ‘corporate baron’ himself has devoted his ‘life’ to enabling the rediscovery of Frankenstein’s ability to reanimate the dead for the purposes of gaining immortality. This mythic framing, however, renders explicitly visible the nature and purpose of the corporate form itself—of capturing and reanimating life in a form of immortality via the mechanisms of perpetual succession. This visual rendering, of a metaphoric framing goes to show the way in which the optical nature of the dominant forms of popular culture—film, television, comic books—provide a means for seeing law’s metaphorical images and for thus unpacking, interrogating and rendering them anew. It argues for a shift from the image of the corporation as a monstrous body to one which involves relations of reciprocity, gratuitousness and gift. (shrink)

Administrative—judgment on the nature of judgment—conflict between Judges in judicial practice—claimant challenges the judicial capacity of respondent —claimant open and fluid in judicial style—respondent certain and authoritative in judicial style—insights from Psi Division on the role of judgment in the universe—whether respondent is a good judge—whether judgment closes down meaning—whether respondent is inhuman—whether judges are inhuman—whether judging is horrific—insight from twentieth century fiction on the place of humans in the universe—horror of HP Lovecraft—suppression of horrific cosmic context within judicial institution—suppression (...) for the good of society. (shrink)