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  1. Relationalism in the face of hallucinations.Locatelli Roberta - unknown
    Relationalism claims that the phenomenal character of perception is constituted by the obtaining of a non-representational psychological relation to mind-independent objects. Although relationalism provides what seems to be the most straightforward and intuitive account of how experience strikes us introspectively, it is very often believed that the argument from hallucination shows that the view is untenable. The aim of this thesis is to defend relationalism against the argument from hallucination. The argument claims that the phenomenal character of hallucination and perception (...)
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  • Liberal naturalism, objectivity and the autonomy of the mental.David Zapero - 2019 - Inquiry: An Interdisciplinary Journal of Philosophy 62 (5):546-564.
    ABSTRACTThe paper distinguishes between two different ways of cashing out the general insight that often goes by the name of ‘liberal naturalism’. The objective is to show how these two different argumentative strategies undergird two fundamentally different approaches to the project of elucidating the specificity of mental phenomena. On one approach, the central concern of such a project is the ontological status of subjective conscious phenomena; on the other, the central concern is the irreducibility of parochial capacities in the adoption (...)
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  • (1 other version)Reason’s Reach.Charles Travis - 2007 - European Journal of Philosophy 15 (2):225–248.
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  • Mathematical Beauty and Perceptual Presence.Rob van Gerwen - 2011 - Philosophical Investigations 34 (3):249-267.
    This paper discusses the viability of claims of mathematical beauty, asking whether mathematical beauty, if indeed there is such a thing, should be conceived of as a sub-variety of the more commonplace kinds of beauty: natural, artistic and human beauty; or, rather, as a substantive variety in its own right. If the latter, then, per the argument, it does not show itself in perceptual awareness – because perceptual presence is what characterises the commonplace kinds of beauty, and mathematical beauty is (...)
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