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Switch to: References
Citations of:
Kant on Informed Pure Judgments of Taste
Journal of Aesthetics and Art Criticism 76 (2):163-174 (2018)
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The Analytic of the Beautiful in Kant's Critique of Aesthetic Judgment is a text of unparalleled importance in the history of philosophical aesthetics. Its main claims are adopted by some and rejected by others. A significant number of responses, of both kinds, take the Analytic to apply to all experiences of beauty—most notably, to the beauty of both nature and fine art. Our principal claim is that this assumption is mistaken. The analysis in the misleadingly titled Analytic of the Beautiful (...) |
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The conception of disinterested pleasure is not only central to Kant’s theory of beauty but also highly influential in contemporary philosophical discourse about beauty. However, it remains unclear, what exactly disinterested pleasure is and what role it plays in experiences of beauty. This volume sheds new light on the conception of disinterested pleasure from the perspectives of both Kant scholarship and contemporary aesthetics. In the first part, the focus is on Kant’s theory of beauty as grounded on the conception of (...) |
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Is there tension in a view of the conditions of being in a proper position to make aesthetic evaluations that is committed to aesthetic autonomy and norms of exposure? I define ‘aesthetic autonomy’ in terms of the Kantian idea that in order to make a proper aesthetic evaluation, one must rely on oneself rather than on any outside source. I define ‘norms of exposure’ in terms of the Humean idea that practice and aesthetic education are conditions of proper aesthetic evaluation. (...) |
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Kant accuses bad rhetoric of being a deceitful art. In this article, I give an account of both what it means for Kant that bad rhetoric deceives and how this art deceives in the first place. Additionally, I explore significant moral and aesthetic repercussions of bad rhetoric’s being deceitful. The article is structured into Part A and Part B. I start by reconstructing Kant’s technical definition of deception as disagreement between the semblance and the cognition of truth. I go on (...) |
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This article is to be a bridge between Kant’s aesthetics and contemporary art – not by being a paper on Kant and contemporary art, but rather by being on Kant and contemporaryphilosophy of art. I claim that Kant’s views on the appreciation of art can accommodate contextualism as well as ethicism. I argue that not only does contextualism fit Kant’s views on the appreciation of art; in §§51–3 of the thirdCritique, Kant’s appreciation of art is in accordance with contextualism. I (...) |
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En este artículo examino el soporte textual para la hipótesis de que, dentro del marco de la teoría estética de Kant, la belleza artística no es necesariamente de tipo adherente –y puede ser, por consiguiente, de tipo libre. Tal examen está dividido en dos partes: en la primera parte cito y reflexiono en base a pasajes de la Crítica del juicio que sugieren que la belleza artística no es necesariamente una belleza adherente. En la segunda parte presento tres lecturas emprendidas (...) |
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