Switch to: References

Add citations

You must login to add citations.
  1. (1 other version)Prema kognitivnoznanstvenom shvaćanju iskustva svetoga.Benedikt Perak - 2010 - Filozofska Istrazivanja 30 (1-2):237-267.
    U članku se kroz višedisciplinarni pristup kognitivnih znanosti proučava osobito ljudsko iskustvo povezano s religioznim doživljajem stvarnosti, koje se u tradiciji discipline povijesti religija naziva ‘iskustvo svetoga’. U skladu s teorijom emergencije, predlaže se definicija iskustva svetoga kao stanja svijesti sa subjektivnom kvalitetom integracije, specifičnim neurološkim korelatom i funkcionalnim obilježjima. Emergentne teorije svijesti pružaju ontološki ujednačeno tumačenje iskustava svetoga nudeći »naravna« objašnjenja bez odricanja njihove fenomenološke subjektivnosti. Prijenos iskustva svetoga iz unitarnoga, svojevrsnog intencionalno neobojenoga stanja, u izrecivi jezični kôd intencionalno (...)
    Download  
     
    Export citation  
     
    Bookmark  
  • Cognitive poetics and biocultural figurations of life, cognition and language: towards a theory of socially integrated science.Juani Guerra - 2011 - Pensamiento 67 (254):843-850.
    On the basis of a revision of the real dynamics of Greek poiesis and autopoiesis as evolutionary processes of meaning and knowledge-of-the-World evaluative-construction, Cognitive Poetics proposes key philological, ontological and cultural adjustments to improve our understanding of thought, conceptual activity, and the origins and social nature of language. It searches for an integrated theory of social problems in general Cognitive Science: from Linguistics or Psychology, through Anthropology, Neurophilosophy or Literary Studies, to Neurobiology or Artificial Life Sciences. From an essential turn (...)
    Download  
     
    Export citation  
     
    Bookmark  
  • Imaginative Value Sensitive Design: Using Moral Imagination Theory to Inform Responsible Technology Design.Steven Umbrello - 2020 - Science and Engineering Ethics 26 (2):575-595.
    Safe-by-Design (SBD) frameworks for the development of emerging technologies have become an ever more popular means by which scholars argue that transformative emerging technologies can safely incorporate human values. One such popular SBD methodology is called Value Sensitive Design (VSD). A central tenet of this design methodology is to investigate stakeholder values and design those values into technologies during early stage research and development (R&D). To accomplish this, the VSD framework mandates that designers consult the philosophical and ethical literature to (...)
    Download  
     
    Export citation  
     
    Bookmark   12 citations  
  • Imaginative Value Sensitive Design: How Moral Imagination Exceeds Moral Law Theories in Informing Responsible Innovation.Steven Umbrello - 2018 - Dissertation, University of Edinburgh
    Safe-by-Design (SBD) frameworks for the development of emerging technologies have become an ever more popular means by which scholars argue that transformative emerging technologies can safely incorporate human values. One such popular SBD methodology is called Value Sensitive Design (VSD). A central tenet of this design methodology is to investigate stakeholder values and design those values into technologies during early stage research and development (R&D). To accomplish this, the VSD framework mandates that designers consult the philosophical and ethical literature to (...)
    Download  
     
    Export citation  
     
    Bookmark   1 citation  
  • The multifaceted role of imagination in science and religion. A critical examination of its epistemic, creative and meaning-making functions.Ingrid Malm Lindberg - 2021 - Dissertation, Uppsala University
    The main purpose of this dissertation is to examine critically and discuss the role of imagination in science and religion, with particular emphasis on its possible epistemic, creative, and meaning-making functions. In order to answer my research questions, I apply theories and concepts from contemporary philosophy of mind on scientific and religious practices. This framework allows me to explore the mental state of imagination, not as an isolated phenomenon but, rather, as one of many mental states that co-exist and interplay (...)
    Download  
     
    Export citation  
     
    Bookmark   1 citation  
  • Aesthetic opacity.Emanuele Arielli - 2017 - Proceedings of the European Society for Aesthetics.
    Are we really sure to correctly know what do we feel in front ofan artwork and to correctly verbalize it? How do we know what weappreciate and why we appreciate it? This paper deals with the problem ofintrospective opacity in aesthetics (that is, the unreliability of self-knowledge) in the light of traditional philosophical issues, but also of recentpsychological insights, according to which there are many instances ofmisleading intuition about one’s own mental processes, affective states orpreferences. Usually, it is assumed that (...)
    Download  
     
    Export citation  
     
    Bookmark  
  • The Triadic Roots of Human Cognition: “Mind” Is the Ability to go Beyond Dyadic Associations.Norman D. Cook - 2018 - Frontiers in Psychology 9:293649.
    Empirical evidence is reviewed indicating that the extraordinary aspects of the human mind are due to our species’ ability to go beyond simple “dyadic associations” and to process the relations among three items of information simultaneously. Classic explanations of the “triadic” nature of human skills have been advocated by various scholars in the context of the evolution of human cognition. Here I summarize the core processes as found in (i) the syntax of language, (ii) tool-usage, and (iii) joint attention. I (...)
    Download  
     
    Export citation  
     
    Bookmark   1 citation  
  • “Aesthetic Primitives”: Fundamental Biological Elements of a Naturalistic Aesthetics.Ellen Dissanayake - 2015 - Aisthesis: Pratiche, Linguaggi E Saperi Dell’Estetico 8 (1):6-24.
    Aesthetics, like other philosophical subjects, has historically made use of «top down» methods. Recent discoveries in genetics, evolutionary psychology, paleoarchaeology, and neuroscience call for a new «naturalistic» or «bottom up» perspective. Combining these fields with behavioral biology and ethnoarts studies, I offer seven premises that underlie a new understanding of evolved predispositions of the brain/mind that all artists use to attract attention, sustain interest, and create, mold, and shape emotion. I describe aesthetic «primitives» in somatic and behavioral modalities, suggesting that (...)
    Download  
     
    Export citation  
     
    Bookmark   3 citations