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  1. Dall’intelletto potenziale alla coscienza eterna. Aristotelismo “averroizzante” e idealismo in Thomas Hill Green.Antonio Lombardi - 2021 - Quaestio 21:369-399.
    The essay examines Thomas Hill Green’s idealistic reading of Aristotle’s Metaphysics and De anima, starting from his “monopsychist” view of human understanding. His criticism of the Aristotelian notion of substance leads him to a recalibration of hylomorphism and a “noetization” of matter, which could be seen as an averroizing move. Green holds that there is only one “Eternal Consciousness” and that the individual thinking subjects are particular manifestations of it. As for Averroes’ unity of intellect, this idea derives from a (...)
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  • Rethinking Constant’s ancient liberty: Bosanquet’s modern Rousseauianism.Colin Tyler - 2022 - History of European Ideas 48 (3):280-295.
    ABSTRACT Benjamin Constant was a vociferous critic of the political Rousseauianism that he saw underpinning French politics in the early nineteenth-century. Yet, his hostile reaction at the political level co-existed with a far more sympathetic attitude towards Rousseau’s critical analysis of modernity. This article reflects on that combination through the dual lens of the influence on Constant’s position of his ambivalent attitude towards Rousseau on the one hand and the modernisation of Rousseau undertaken eighty years later by the British idealist (...)
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  • Language, aesthetics and emotions in the work of the British idealists.Colin Tyler & James Connelly - 2018 - British Journal for the History of Philosophy 26 (4):643-659.
    This article surveys and contextualizes the British idealists’ philosophical writings on language, aesthetics and emotions, starting with T. H. Green and concluding with Michael Oakeshott. It highlights ways in which their philosophical insights have been wrongly overlooked by later writers. It explores R. L. Nettleship’s posthumous publications in this field and notes that they exerted significant influences on British idealists and closely related figures, such as Bernard Bosanquet and R. G. Collingwood. The writing of other figures are also explored, not (...)
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