Among the many dichotomous cleavages among philosophers and theologians few seem to me as questionable as the Procrustean division into supematuralists and naturalists. “Naturalism” and “supernaturalism” have become party labels whose original meanings have been lost in the heat of banner-waving and slogan shouting. Even the great minds of the past, who were innocent as yet of this philosophical two-party system, are being herded into one pen or the other. And apparently few of the penkeepers are aware of the fact, (...) pointed out almost apologetically by Professor Randall, that “the usage is hardly fashionable abroad, even in England.” I, for one, confess that, not having been acclimatized in my European cave to this stern disjunction, I have to this day felt rather uneasy, if not evasive, at the outspoken or tacit expectation to line up with one faction or the other, much as my leanings were toward the other rather than toward the one. I therefore decided that some day I had to get to the bottom of this uneasiness. (shrink)

In analytic aesthetics, a popular ‘cognitivist’ line of thought maintains that literary works of fictional kind may ‘imply’ or ‘suggest’ truths. Nevertheless, so-called anti-cognitivists have considered the concepts of implication and suggestion both problematic. For instance, cognitivists’s use of the word ‘implication’ seems to differ from all philosophical conceptions of implication, and ‘suggestion’ is generally left unanalysed in their theories. This paper discusses the role, kinds and conception of implication or suggestion in literature, issues which have received little attention in (...) contemporary literary aesthetics. In the first part, the author shall examine classic views on implication in literature and introduce objections to the views. In the latter part, in turn, the author shall propose a definition of the ‘literary suggestion’ and discuss issues related to its interpretation. (shrink)