Through the critical examination of Baudrillard's concept of hyperreality, this article seeks to make a wider contribution to contempor ary debates about postmodernism. It draws on a post-Cartesian, Heideg gerian philosophy to demonstrate the weakness of the concept of hyperreality and reveal its foundation in a Cartesian epistemology. The article goes on to claim that this same Heideggerian tradition suggests a way in which the concept of hyperreality and nihilistic postmodern sociologies more generally might be dialectically superseded. Instead of these (...) theories being seen as saying anything insightful about recent social transformations, the epistemological void in which they position themselves should be inter preted as the intellectual expression of the wider cultural and postmodern trend of transgression. Key Words: Baudrillard • Cartesianism • Heidegger • hyperreality • postmodernism. (shrink)

In this article we want to rethink the educational significance of the novel from the perspective of a ‘metanovelistic’ reading of Don Quixote, often acclaimed as the ‘first modern novel’. Our point of departure is two-fold: on the one hand, there is the controversial contemporary phenomenon of de-reading, and all the educational discussions it entails; on the other hand, there is the existing tradition of literary education, which has already extensively reflected upon the (moral, epistemological, ontological) relations between novel reading, (...) education, and subjectification, but which perhaps also has exhausted its means for doing so. To problematize this double starting point in a new way, we propose to revisit the ‘origins’ of the (Western) novel and novel reading, at the dawn of modernity. Exploring the differences between the narratives of subjectification represented by the Cartesian cogito and Cervantes’ Don Quixote—which were near-contemporaries—we strongly argue for an educational–philosophical rehabilitation of the latter. In a first movement, and in dialogue with novelists Milan Kundera and Carlos Fuentes, we do so by focusing on the novel as a particular form or configuration of knowledge—one that is by nature experimental and pluralist. In a second movement, we link this to Jean Baudrillard’s famous distinction between ‘simulation’ and ‘illusion’, claiming that novel reading qua educational subjectification always involves a quixotic practice of adventurous, ‘playful’, and public negotiation between reality and its more or less illusory alternatives. (shrink)

As the twenty-first century begins, Benjamin’s aura as the quality of an authentic-art-object might be outdated, but the notion of kitsch remains essential in a post-Warholian world. The following discussion is an attempt to assess Western contemporaneity. By using a few examples, so to dissect problems into their smallest components, I suggest that the current popularity of kitsch inclinations and behaviours in Western societies are not a means to resist cultural and aesthetic elitism, but an implication of widespread bad taste.

Apocalyptic thinking has a long religious and political tradition, but what place does it occupy within the temporal universe of contemporary capitalism? In this essay, we use the figure of the eschaton to draw out the loaded and ambiguous character of the future as it emerges through the condition of indebtedness. This entails a departure from political economy accounts of capitalist futurity, which stress the structural logic of financial speculation, in favour of an existential account that begins instead with the (...) cosmology of money and debt. We argue that finance capital’s fixation on the future has produced a very specific form of apocalyptic imagination, characteristic of financial society and built on a libidinal economy of leverage. Rather than offering an ecstatic end to the global process of financialization, financial eschatologies bind the contemporary subject to debt and indebtedness to the very end: an endless apocalypse, premised on the ends of finance itself. (shrink)

The status of photography within medical arts or humanities is still insecure. Despite a growing number of published photographic essays that disclose illness experience of an individual and how illness affects close relatives, these works have received relatively little scholarly attention. Through analysis of Joshua Lutz’s Hesitating Beauty which documents his mother who was suffering from schizophrenia, this article will explore how the photographic essay attempts to reconstruct a dialogue between mother and son out of fragmented, broken and undeveloped communications, (...) and in the process how it challenges representation itself, on which it is dependent. The focus of the analysis is on identifying and illuminating the intimate space that opens between the photographer and the photographed person and that provides new forms of communication as well as uncovers existing forms of knowledge that is shared between them. This paper will also assess the political and cultural significance of such representation. (shrink)

Spearheaded by Beck and the ‘world risk society’ thesis, contemporary commentators in search of evidence of political renewal ‘from below’ have discerned a convergence of environmental and cosmopolitan sensibilities. But through its foregrounding of the destabilization of matter by new technologies, this ‘environmental cosmopolitanism’ tends to reenact the conventional binary of passive nature and dynamic culture. It is suggested that this expresses a metropolitan detachment from the everyday experience of working with flows of matter and life. Drawing on the pivotal (...) role of bioinvasion in the European colonization of the temperate periphery, an alternative perspective on ecological globalization is presented which takes account of the ‘weedy opportunism’ and inherent mobility of biological life. In this way, ‘globalization from below’ takes on the meaning of an opening of culture to the ‘unsettling’ influence of biological and geological histories that manifest themselves at global scales. (shrink)

There is a contemporary scepticism towards vision-based metaphors in management and organization studies that reflects a more general pattern across the social sciences. In short, there has been a shift away from ocularcentrism. This shift provides a useful basis for metatheoretical analysis of the philosophical discourse that informs organizational analysis. The article begins by briefly discussing the vision-generated, vision-centred interpretation of knowledge, truth, and reality that has characterized the western philosophical tradition. Taking late 18th-century rationalism as the high-point of ocularcentrism, (...) the article then presents a metatheoretical framework based on three trajectories that critiques of ocularcentrism have subsequently taken. The first exposes the limits of the metaphor by, paradoxically, taking it to its limits. The second trajectory seeks to displace the primordial position of the ocular metaphor and replace it with an alternative lexicon based on other human senses. Last, the third trajectory describes how the Enlightenment ocular characterization of the visual and mental worlds has effectively been inverted in the postmodern moment. (shrink)

The ethical commitment to democracy requires creating the public space for a rational discourse among real alternatives by the population. In this article, I argue that the Internet fails in this task on 2 fronts. Inspired by the work of Jean Baudrillard, the work argues that the Internet reinforces a structure of passive political agents through its 1-way form of communication. The Internet is designed to deliver political text, not engage the public in dialogue about the direction of collective decision (...) making. Furthermore, the ideal of democratic politics relies on the notion of the "commons" as a real space for political activity, debate, and exchange. Virtual space cannot provide a substitute. Democratic politics must have as its premises real bodies, confronting real problems, in real space. The article concludes by arguing that the Internet is a place filled with political artifacts, largely without discourse and dialogue. As such, it has the potential to undermine democratic practice. (shrink)

This thesis offers a comparison of documentary case studies to explore how moments from reality are recorded and how future representations of them can offer or instigate a parallax to create a new or different way of understanding the occurrence of such moments and how they have been remembered. I postulate that this shift in perspective offers an interaction with reality through a reconfiguration of the Real of these moments. The study will consider this assertion in relation to Žižek’s and (...) Baudrillard’s reflections on the Real as being an excessive moment unable to be assimilated and the veiled encapsulation of what lies beyond the Image-Event. After exploring the use of images from reality, my thesis will go on to consider the processes of recollecting and communicating past occurrences to highlight the potential that documenting and revisiting past memories – re-collecting them – can actively impact and evolve the trajectory of personal histories. Utilising LaCapra’s notion of the working through traumatic memories enables my investigation to plot a course which considers the memory narratives of my case studies as subject to a, ‘continual process of retranslation’ and, as such, explores the subjectivity of the Real of occurrences. (shrink)

Jean Baudrillard's 3rd simulation stage reinterpreted through the theory of architecture, Marxism and Jaques Lacan.

Spearheaded by Beck and the ‘world risk society’ thesis, contemporary commentators in search of evidence of political renewal ‘from below’ have discerned a convergence of environmental and cosmopolitan sensibilities. But through its foregrounding of the destabilization of matter by new technologies, this ‘environmental cosmopolitanism’ tends to reenact the conventional binary of passive nature and dynamic culture. It is suggested that this expresses a metropolitan detachment from the everyday experience of working with flows of matter and life. Drawing on the pivotal (...) role of bioinvasion in the European colonization of the temperate periphery, an alternative perspective on ecological globalization is presented which takes account of the ‘weedy opportunism’ and inherent mobility of biological life. In this way, ‘globalization from below’ takes on the meaning of an opening of culture to the ‘unsettling’ influence of biological and geological histories that manifest themselves at global scales. (shrink)

Compte tenu de l’importance de la symbolisation dans le développement individuel de l’homme, tout comme dans le développement historique de l’humanité, se pose la question de la transformation de la symbolisation dans les conditions postmodernes. L’objectif est de montrer que, derrière les carnavals postmodernes des signes et l’extase de la communication, une profonde désymbolisation du subjectif aussi bien que du social est en train de se produire. La conséquence de ces processus est la disparition des conditions de la possibilité de (...) réflexion et de la critique de la société. Ainsi, sous le slogan de la postmodernité, l’animal symbolicum devient l’animal desymbolicum, vivant dans un désert social, incapable de transcender son expérience locale puisqu’il a dissolu les concepts généraux et mis en danger l’ordre symbolique. Il semblerait qu’il soit tombé dans une amnésie historique et sociale profonde. (shrink)

There is a complicated relation between social and political inertia – the failure of institutions to respond adequately to social, technological and environmental change – and social acceleration – the tendency of social change to go faster and faster. Social stasis and acceleration are not simply opposed but also causally related. This article contrasts two theories of political and social inertia. Francis Fukuyama argues that political inertia is a result of a cognitive and institutional rigidity which is ultimately grounded in (...) human nature, and that therefore inertia is a feature inherent in political systems. Hartmut Rosa, by contrast, sees inertia as a specifically modern phenomenon, which is the result of the inability of political institutions to cope with the accelerating rate of change in other social systems. It will be argued that a broad approach combining historical, institutional and normative perspectives is needed to explain political inertia. (shrink)

Although the cognitive neurosciences are currently conducting research to determine the brain networks that are implicated in the production of ‘earworms’, my project seeks to address the technical nature of these abstract parasites that hears their spontaneous irruption in thought as both a product and source of contemporary capitalism’s aim to draw value from involuntary nervous activities. In this respect, I approach the earworm from a deliberately speculative perspective in order to conceptualize its appearance as a technical matter expressive of (...) the way historically ‘useless thinking’ is being imaginatively recuperated as a passive technology of the self. However, the earworm is a peculiar case of useless thinking, for its redundancy not only implicates it in the broader process of recuperation, but seems to realize a fatal tendency in sonic technics in ways that at once rely on, advance and disturb contemporary capitalism’s encroachment on human cognitive capacities. (shrink)